1 00:01:48,708 --> 00:01:50,916 I think I presumed on my strength. 2 00:01:51,083 --> 00:01:54,041 I saw myself too big. And I'm losing a lot of money. 3 00:01:54,208 --> 00:01:55,333 Really ? 4 00:01:55,875 --> 00:01:57,000 It's simple, I'm ruined. 5 00:01:57,166 --> 00:01:58,958 Wait. What are you talking about ? 6 00:01:59,125 --> 00:02:01,291 Maybe I would do better to stop everything. 7 00:02:01,458 --> 00:02:03,625 I never heard you speak like this. 8 00:02:04,833 --> 00:02:06,166 We'll see. 9 00:02:06,333 --> 00:02:08,375 - It'll be OK. - I'm sure of it. 10 00:02:08,541 --> 00:02:11,000 See you soon, sister. I'll call you back. 11 00:02:11,166 --> 00:02:12,166 All right. 12 00:02:47,750 --> 00:02:50,666 I am the eye and you, the light, 13 00:02:51,000 --> 00:02:53,500 without light, the eye is at night. 14 00:02:53,958 --> 00:02:55,291 I, the fish, 15 00:02:55,458 --> 00:02:57,208 you, the river, 16 00:02:57,375 --> 00:02:59,500 without water, the fish cannot survive. 17 00:02:59,916 --> 00:03:03,791 But immersed in clear water, he finds life again. 18 00:03:04,208 --> 00:03:07,916 If you and I are disunited, this very hour is my last. 19 00:03:08,083 --> 00:03:10,833 I'll take you back to eat and drink! 20 00:03:11,000 --> 00:03:13,166 Come, Aida. They started. 21 00:03:13,333 --> 00:03:14,458 Mischa... 22 00:03:16,083 --> 00:03:18,333 Mischa, what are you going to give them? to eat? 23 00:03:18,500 --> 00:03:21,833 You emptied our reserves last week, I reminded you. 24 00:03:22,000 --> 00:03:23,750 You already invite one customer out of two! 25 00:03:24,041 --> 00:03:26,208 It's not customers, they're friends. 26 00:03:26,375 --> 00:03:28,666 And they are like us. They're artists, my darling. 27 00:03:29,125 --> 00:03:30,250 Come dance... 28 00:03:30,416 --> 00:03:32,125 You know what I always say. 29 00:03:32,291 --> 00:03:34,171 Look where we come from and where we are today! 30 00:03:34,291 --> 00:03:36,333 But yes, mom! Come on, come dance. 31 00:03:36,500 --> 00:03:38,833 What are you doing here? Don't listen to us. 32 00:03:39,000 --> 00:03:40,750 Go, go, go, go! 33 00:04:24,750 --> 00:04:26,958 Two gypsies, without respite 34 00:04:28,541 --> 00:04:30,750 Strum their guitars 35 00:04:32,416 --> 00:04:34,500 Reviving from the depths of the nights 36 00:04:36,166 --> 00:04:38,375 All my memory 37 00:04:40,125 --> 00:04:42,750 Without knowing what's rolling inside me 38 00:04:43,458 --> 00:04:45,625 A flood of distress 39 00:04:48,125 --> 00:04:50,375 Reborn under their fingers 40 00:04:51,625 --> 00:04:53,625 My crazy youth 41 00:04:55,750 --> 00:04:59,291 E khê raz, is cho raz 42 00:04:59,791 --> 00:05:02,666 Is chê mênaga mênaga raz 43 00:05:02,958 --> 00:05:05,125 E khê raz, is cho raz 44 00:05:07,500 --> 00:05:09,916 Is cho mênaga mênaga raz 45 00:05:11,416 --> 00:05:13,541 I want to laugh, I want to sing 46 00:05:15,000 --> 00:05:17,166 And drink away my pain 47 00:05:19,791 --> 00:05:21,625 To forget the past 48 00:05:23,125 --> 00:05:25,666 That with me I hang out, come on 49 00:05:26,333 --> 00:05:29,875 E khê raz, is cho raz 50 00:05:30,250 --> 00:05:33,041 Is chê mênaga mênaga raz 51 00:05:33,208 --> 00:05:35,583 E khê raz, is cho raz 52 00:05:37,416 --> 00:05:39,875 Is cho mênaga mênaga raz 53 00:05:41,333 --> 00:05:43,458 Two guitars in my mind 54 00:05:44,250 --> 00:05:46,500 Cause immense trouble 55 00:05:48,000 --> 00:05:49,958 Explaining vanity to me 56 00:05:51,291 --> 00:05:52,916 Of our existence 57 00:05:54,000 --> 00:05:56,791 What are we experiencing? Why do we live? 58 00:05:57,500 --> 00:05:59,416 What is the purpose? 59 00:06:00,083 --> 00:06:02,583 You are alive today You will be dead tomorrow 60 00:06:02,750 --> 00:06:05,291 Et encore plus après demain 61 00:06:43,458 --> 00:06:44,875 Manouch, where are we? 62 00:06:45,041 --> 00:06:46,041 I have two or three ideas. 63 00:06:46,375 --> 00:06:47,791 But I still hesitate. 64 00:06:47,958 --> 00:06:48,625 Misha, 65 00:06:48,791 --> 00:06:52,416 these leaflets are expensive. Are you sure you want to order some? 66 00:06:52,583 --> 00:06:54,041 Obviously, I'm sure. 67 00:06:54,208 --> 00:06:56,416 Advertising is important. 68 00:06:56,750 --> 00:06:59,333 - Manouch, what do you suggest? - So... 69 00:07:00,541 --> 00:07:03,083 “At Aznavourian, everything is big”. 70 00:07:05,750 --> 00:07:07,958 - We can find better. - Better ! 71 00:07:08,125 --> 00:07:09,791 “At Aznavourian... 72 00:07:09,958 --> 00:07:10,958 “we eat well”. 73 00:07:12,875 --> 00:07:14,833 - And the rhyme, idiot? - You, idiot. 74 00:07:15,000 --> 00:07:17,000 Not easy, the rhyme, with "Aznavourian". 75 00:07:19,708 --> 00:07:21,083 If not, maybe I have an idea. 76 00:07:21,708 --> 00:07:26,041 - At Aznavour, we run there. - At Aznavour, we run there. Here. 77 00:07:26,208 --> 00:07:30,208 Hello. At Aznavour, we run there. Come to our restaurant. 78 00:07:30,375 --> 00:07:32,833 Hello Sir. Come to our restaurant. 79 00:07:33,000 --> 00:07:35,500 Hello Mrs. At Aznavour, we run there. 80 00:07:35,666 --> 00:07:38,250 - Hello, Charles! - Hello, hello! 81 00:07:38,416 --> 00:07:40,333 - Hello, Charles! - Hi. How are you ? 82 00:07:42,833 --> 00:07:45,750 - I warned you. - Come on, children. Here we go ! 83 00:07:45,916 --> 00:07:47,666 He doesn't even speak French. 84 00:07:59,708 --> 00:08:02,958 - What are we going to eat? - I'm going shopping. 85 00:08:03,125 --> 00:08:04,291 What are you going to pay with? 86 00:08:04,458 --> 00:08:05,708 Don't worry. 87 00:08:06,875 --> 00:08:09,083 Did you sell your gold tooth? 88 00:08:09,541 --> 00:08:11,250 You have to eat well, right? 89 00:08:25,000 --> 00:08:26,916 Do you think it's going to be okay, mom? 90 00:08:27,083 --> 00:08:28,375 If God wills. 91 00:08:29,000 --> 00:08:30,000 The children... 92 00:08:30,125 --> 00:08:32,916 Come see our new cafe, our new home. 93 00:08:52,625 --> 00:08:54,500 I know what you're thinking. 94 00:08:54,666 --> 00:08:55,666 I know. 95 00:08:56,375 --> 00:08:58,250 It's true that it's small here. 96 00:08:59,166 --> 00:09:01,125 But we won't stay long. 97 00:09:01,500 --> 00:09:02,250 All right ? 98 00:09:02,416 --> 00:09:04,083 And we are together... 99 00:09:04,250 --> 00:09:07,166 As long as we are family, nothing can happen to us. 100 00:09:09,541 --> 00:09:12,083 Happy birthday 101 00:09:12,250 --> 00:09:15,583 - Happy birthday... - Stop. That will be enough for me. 102 00:09:15,875 --> 00:09:18,625 Monday morning at the Champs-Élysées theater, 9 a.m. 103 00:09:19,416 --> 00:09:20,708 - You tell your parents. - Yes. 104 00:09:20,875 --> 00:09:21,875 Congratulations. 105 00:09:22,500 --> 00:09:25,833 There is a little boy Who knows how to do an African accent? 106 00:09:26,000 --> 00:09:27,541 Is it paid, sir? 107 00:09:27,958 --> 00:09:29,791 - Who said that? - It's me. 108 00:09:30,750 --> 00:09:33,291 It could be. Do you know how to do the accent? 109 00:09:33,583 --> 00:09:36,125 Of course ! Hello Sir. 110 00:09:40,500 --> 00:09:43,208 - Monday at the Champs-Élysées theater. - All right. 111 00:09:43,375 --> 00:09:44,416 9 a.m. 112 00:09:44,583 --> 00:09:45,583 THANKS. 113 00:09:48,875 --> 00:09:50,208 You, there. 114 00:09:50,375 --> 00:09:51,375 Are you doing Arthur? 115 00:09:51,458 --> 00:09:53,125 - Yes, it's me. - Are you ready? 116 00:09:53,541 --> 00:09:55,000 - Yes. - That's it, it's good. 117 00:09:55,750 --> 00:09:56,750 I say “shit” to you. 118 00:09:56,833 --> 00:09:58,916 - "Shit" ? - It brings good luck. 119 00:09:59,083 --> 00:10:00,625 Is this your first time on stage? 120 00:10:00,916 --> 00:10:02,375 - Yes. - Come on, come on. 121 00:10:02,541 --> 00:10:03,833 It's going to be yours. 122 00:10:05,333 --> 00:10:06,833 THANKS. Come on. 123 00:10:07,000 --> 00:10:08,166 Don't forget, 124 00:10:08,333 --> 00:10:10,250 you stand up straight and speak loudly. 125 00:10:10,416 --> 00:10:11,541 All right. 126 00:10:11,708 --> 00:10:12,708 Come on. 127 00:10:24,666 --> 00:10:25,791 Are you there? 128 00:10:25,958 --> 00:10:28,125 I am here. I have arrived. 129 00:10:35,083 --> 00:10:37,625 Please welcome our next issue: 130 00:10:38,000 --> 00:10:40,000 Charles Trenet! 131 00:10:40,166 --> 00:10:41,625 We applaud him loudly. 132 00:10:54,083 --> 00:10:56,666 There is joy Hello, hello, swallows 133 00:10:56,833 --> 00:10:59,541 There is joy In the sky, over the roof 134 00:10:59,708 --> 00:11:02,333 There is joy And sunshine in the streets 135 00:11:02,500 --> 00:11:05,000 There is joy Everywhere there is joy 136 00:11:05,708 --> 00:11:08,375 All day my heart beats, capsizes and staggers 137 00:11:08,541 --> 00:11:11,333 It's love which comes with I don't know what 138 00:11:11,500 --> 00:11:14,083 It's love Hello, hello, ladies 139 00:11:14,250 --> 00:11:16,541 There is joy Everywhere there is joy 140 00:11:17,083 --> 00:11:18,166 Thank you, ma'am. 141 00:11:18,625 --> 00:11:20,125 C'est ça, bitte schön. 142 00:11:20,291 --> 00:11:20,958 Henriette, 143 00:11:21,291 --> 00:11:24,416 you're going to let me do something else than to imitate Trenet? 144 00:11:24,583 --> 00:11:27,791 - I can sing real songs. - What do you want to sing? 145 00:11:28,166 --> 00:11:30,583 Great classics, love songs... 146 00:11:30,750 --> 00:11:32,750 To sing about love, you have to be beautiful. 147 00:11:32,916 --> 00:11:34,541 Ta voix est complètement cassée. 148 00:11:34,708 --> 00:11:36,625 Just do what you know how to do. 149 00:11:36,791 --> 00:11:38,458 Les gens sont là pour s'amuser. 150 00:11:38,625 --> 00:11:40,708 - Only me... - Stop bothering me! 151 00:11:44,916 --> 00:11:47,666 Love songs... Anything, him. 152 00:12:21,750 --> 00:12:24,208 - Hello, Mélinee. - Hello, Charles. 153 00:12:24,666 --> 00:12:27,666 - Manouch est là ? - He's waiting for you to fight at chess. 154 00:12:27,833 --> 00:12:28,666 We'll see. 155 00:12:28,833 --> 00:12:29,833 Mom. 156 00:12:30,000 --> 00:12:32,750 - I found some bread and rutabagas. - That's good. 157 00:12:32,916 --> 00:12:35,541 We're going to have to share dinner. And you... 158 00:12:35,708 --> 00:12:37,541 I know, we're going to have to sleep on the floor. 159 00:12:37,708 --> 00:12:39,750 There are people. There are even French people. 160 00:12:39,916 --> 00:12:42,833 - French people? - Jews. Manouch will explain to you. 161 00:12:44,625 --> 00:12:47,541 - That's incredible. It's what ? - She's your sister. 162 00:12:47,708 --> 00:12:50,541 Next week, I will be everywhere in the metro. 163 00:12:51,000 --> 00:12:53,958 You're beautiful, too. I never noticed. 164 00:12:54,583 --> 00:12:57,833 - “Aznamour?” - According to the director, it's more glamorous. 165 00:12:58,000 --> 00:13:01,208 Not very flattered, but I'm the only one not to undress me. 166 00:13:01,375 --> 00:13:03,333 I wasn't going to be choosy. 167 00:13:03,500 --> 00:13:05,500 - I'm proud of you. - THANKS. 168 00:13:10,958 --> 00:13:12,166 Gentlemen. 169 00:13:13,125 --> 00:13:14,458 This is my son. 170 00:13:14,625 --> 00:13:17,125 Let me introduce you to Charles. The Rozenbaum family. 171 00:13:17,291 --> 00:13:19,416 - They will sleep here for a few days. - All right. 172 00:13:19,875 --> 00:13:22,000 They had to leave us alone. 173 00:13:22,166 --> 00:13:24,500 Since this morning, they round up everyone, 174 00:13:24,958 --> 00:13:26,500 Helped by French police officers. 175 00:13:26,666 --> 00:13:28,000 - Ah good ? - Yes. 176 00:13:28,458 --> 00:13:29,666 Well done, Mr. Manouchian. 177 00:13:30,041 --> 00:13:31,083 THANKS. 178 00:13:31,500 --> 00:13:35,416 The two Russians and the Armenian work for the German army. 179 00:13:35,583 --> 00:13:38,125 By force. They have only just deserted. 180 00:13:38,291 --> 00:13:40,333 We found them clothes, 181 00:13:40,500 --> 00:13:42,541 but we have to help them disappear. 182 00:13:43,125 --> 00:13:45,083 A bit like your madman, Charles. 183 00:13:47,625 --> 00:13:50,541 - Are you going to get rid of the uniforms? - Yes. 184 00:13:50,708 --> 00:13:52,166 And you change neighborhood. 185 00:13:52,333 --> 00:13:55,041 - You don't throw them in the same place. - All right. 186 00:13:55,666 --> 00:13:59,583 And I sleep at night on the grass of the woods 187 00:13:59,875 --> 00:14:03,000 Flies don't bite me, no, no, no 188 00:14:03,166 --> 00:14:06,708 I am happy It's okay, I'm not hungry anymore 189 00:14:06,875 --> 00:14:08,041 And I sing 190 00:14:08,333 --> 00:14:13,666 On my way 191 00:14:13,833 --> 00:14:16,208 Yes! 192 00:14:17,166 --> 00:14:19,416 So say, you know some nice people, you. 193 00:14:19,583 --> 00:14:20,625 Thanks to my poster. 194 00:14:20,791 --> 00:14:23,000 They saw her. The name caught their attention. 195 00:14:23,166 --> 00:14:25,666 They came to see me at the concert. 196 00:14:25,833 --> 00:14:29,000 “Publicity is important.” 197 00:14:29,166 --> 00:14:30,666 Yes. 198 00:14:30,833 --> 00:14:32,416 Hello, Aida! Welcome. 199 00:14:32,583 --> 00:14:35,166 Hi. Charles, I present to you Jean-Louis Marquet. 200 00:14:35,333 --> 00:14:36,333 Good morning. 201 00:14:36,375 --> 00:14:38,708 I will introduce you the Song Club. 202 00:14:38,875 --> 00:14:41,583 - Your sister told me a lot about you. - She's nice. 203 00:14:41,750 --> 00:14:43,125 Our authors, Francis Blanche 204 00:14:43,291 --> 00:14:44,833 - and Lawrence Riesner. - Welcome. 205 00:14:45,000 --> 00:14:46,750 - Hi. Are you okay, Aida? - Yes. 206 00:14:46,916 --> 00:14:48,916 Pierre Saka, also a singer. 207 00:14:49,541 --> 00:14:50,583 Good morning. 208 00:14:50,750 --> 00:14:53,083 Behind the scores, our president. 209 00:14:53,250 --> 00:14:54,333 It's Pierre Roche. 210 00:14:54,500 --> 00:14:55,666 Rock ? 211 00:14:55,833 --> 00:14:57,333 Good morning. 212 00:14:58,208 --> 00:14:59,791 Charles. Delighted. 213 00:14:59,958 --> 00:15:01,916 It's me who's delighted. 214 00:15:02,875 --> 00:15:04,583 For me, it will be osso bucco 215 00:15:04,750 --> 00:15:07,416 and the butter pancake with its coulis, 216 00:15:07,583 --> 00:15:08,708 please. 217 00:15:10,041 --> 00:15:11,125 And for you? 218 00:15:12,458 --> 00:15:13,916 I'm not very hungry, thank you. 219 00:15:14,083 --> 00:15:16,875 It's true, you don't want anything? Take something. 220 00:15:17,041 --> 00:15:18,875 Just a coffee for me. 221 00:15:19,208 --> 00:15:20,208 Well... 222 00:15:20,791 --> 00:15:21,875 Is the apartment yours? 223 00:15:22,291 --> 00:15:24,125 Yes, finally to my parents. 224 00:15:24,291 --> 00:15:26,750 They're never there. They live in the provinces. 225 00:15:26,916 --> 00:15:30,125 And you then, you sing and you play in the theater? 226 00:15:30,291 --> 00:15:33,166 Acts in cabarets and I sell newspapers. 227 00:15:33,333 --> 00:15:36,416 - You and Aida are courageous. - Not really a choice. 228 00:15:37,208 --> 00:15:39,833 I take everything I can bring me money. 229 00:15:40,000 --> 00:15:41,583 Yes, I understand. 230 00:15:41,750 --> 00:15:44,125 You help me to make the singers work? 231 00:15:44,291 --> 00:15:45,125 My pleasure. 232 00:15:45,291 --> 00:15:48,208 I will be able to work on my singing. My voice is veiled. 233 00:15:48,375 --> 00:15:50,000 It's interesting, a veiled voice. 234 00:15:50,166 --> 00:15:52,916 Lots of American jazz singers have one. 235 00:15:53,083 --> 00:15:55,208 - I sing with my nose. - Yes well... 236 00:15:55,375 --> 00:15:57,208 at the same time, with that nose, Charles! 237 00:15:57,375 --> 00:15:58,416 All right ! 238 00:15:59,791 --> 00:16:03,875 Attacked by a young man who has more baldness than my father. 239 00:16:04,041 --> 00:16:06,083 Lots of humor, I see. 240 00:16:06,250 --> 00:16:07,458 That’s good. 241 00:16:08,125 --> 00:16:09,458 Let's get down to business. 242 00:16:10,791 --> 00:16:12,458 Did you see the girls behind you? 243 00:16:14,041 --> 00:16:17,333 Three brunettes. The prettiest is the one wearing the scarf. 244 00:16:17,500 --> 00:16:20,375 Observer, with that. I like it a lot. 245 00:16:20,875 --> 00:16:22,125 Admire a little. 246 00:16:23,041 --> 00:16:24,041 Ladies, 247 00:16:24,250 --> 00:16:26,375 excuse my audacity. I present to us: 248 00:16:26,541 --> 00:16:28,750 Charles Aznavour, Pierre Roche, 249 00:16:28,916 --> 00:16:32,041 - Parisian dandies to serve you. - Yes, and? 250 00:16:32,208 --> 00:16:34,291 I'm giving a concert in a few days. 251 00:16:34,458 --> 00:16:36,875 I would be delighted to invite you there. Finally... 252 00:16:37,041 --> 00:16:38,750 We would love to have you here. 253 00:16:39,208 --> 00:16:41,666 And you will see that I don't just play the pipe. 254 00:16:46,958 --> 00:16:48,625 You welcome people, you smile. 255 00:16:48,791 --> 00:16:50,666 - She is already smiling well. - Hello, Peter. 256 00:16:51,416 --> 00:16:52,625 - Hello, children. - How are you ? 257 00:16:52,791 --> 00:16:55,250 No, we have no news by Pierre Saka. 258 00:16:55,416 --> 00:16:57,166 - He would have been called? - Shit. 259 00:16:57,500 --> 00:17:00,833 I'm going to sing alone. I can't do the whole singing trick. 260 00:17:01,291 --> 00:17:03,250 You could sing one more song? 261 00:17:03,416 --> 00:17:04,875 No, but don't bother. 262 00:17:05,583 --> 00:17:08,750 - I can sing you two or three songs. - Well... 263 00:17:09,125 --> 00:17:10,541 Yes, why not. 264 00:17:10,958 --> 00:17:11,958 Are you sure, Pierre? 265 00:17:16,000 --> 00:17:17,583 You will pass between Aida and me. 266 00:17:18,083 --> 00:17:19,291 Come on, hop hop hop! 267 00:17:19,458 --> 00:17:21,041 Get back behind your microphone. 268 00:17:28,000 --> 00:17:29,833 And now, we will welcome 269 00:17:30,208 --> 00:17:33,708 Pierre Roche et Charles Aznavour ! 270 00:17:33,875 --> 00:17:36,333 She calls us at the same time. What a goof! 271 00:17:36,500 --> 00:17:37,625 Come on, Peter! 272 00:17:37,791 --> 00:17:39,875 Let's go. She told us. 273 00:17:40,041 --> 00:17:42,500 - Together ? - Yes, we just have to do like at the club. 274 00:17:42,666 --> 00:17:44,916 - I know the songs. - Pierre Roche... 275 00:17:45,083 --> 00:17:47,500 - Okay, come on. - And Charles Aznavour! 276 00:17:49,333 --> 00:17:51,291 Pierre Roche! 277 00:17:55,250 --> 00:18:00,333 IN PARIS, THERE IS A LADY 278 00:18:01,125 --> 00:18:07,083 IN PARIS, THERE IS A LADY 279 00:18:08,208 --> 00:18:09,458 Three, four... 280 00:18:09,625 --> 00:18:13,125 IN PARIS, THERE IS A LADY IN PARIS, WHO THINKS OF ME 281 00:18:13,291 --> 00:18:16,666 IN PARIS, SHE CLAIMS ME IN PARIS, I HEAR HIS VOICE 282 00:18:16,833 --> 00:18:18,673 SHE HAS GOLDEN TEETH, MANY DOMESTIC 283 00:18:18,791 --> 00:18:20,631 FAN COURSES, A ROOF GARDEN 284 00:18:20,666 --> 00:18:22,666 FISH IN HIS BATH, FANTASTIC JEWELRY 285 00:18:22,791 --> 00:18:24,625 Birds from Brazil 286 00:18:24,791 --> 00:18:27,375 An Alaskan fox 287 00:18:30,833 --> 00:18:34,458 IN PARIS, THERE IS A LADY IN PARIS, WHO THINKS OF ME 288 00:18:34,625 --> 00:18:37,291 IN PARIS, SHE CLAIMS ME IN PARIS... 289 00:18:37,458 --> 00:18:38,875 - I hear his voice - With us! 290 00:18:39,041 --> 00:18:41,500 THERE IS A LADY IN PARIS, WHO THINKS OF ME 291 00:18:41,875 --> 00:18:45,375 IN PARIS, SHE CLAIMS ME IN PARIS, I HEAR HIS VOICE 292 00:18:45,541 --> 00:18:47,309 SHE HAS GOLDEN TEETH, MANY DOMESTIC 293 00:18:47,333 --> 00:18:49,173 FAN COURSES, A ROOF GARDEN 294 00:18:49,208 --> 00:18:51,375 FISH IN HIS BATH, FANTASTIC JEWELRY 295 00:18:51,541 --> 00:18:53,208 - Birds... - FROM BRAZIL 296 00:18:58,333 --> 00:19:01,083 A guy who has a club in Lille invites you to come. 297 00:19:01,458 --> 00:19:04,500 It's very small. It would cost 50 francs, but hey... 298 00:19:04,666 --> 00:19:08,125 It's going to be complicated to get there. There are almost no trains anymore. 299 00:19:08,833 --> 00:19:10,625 50 francs... each? 300 00:19:13,166 --> 00:19:15,541 For 50 francs, we will find a solution. 301 00:19:15,708 --> 00:19:18,333 It's a strip club a bit of a stripper. 302 00:19:18,708 --> 00:19:21,041 You are right, we will find a solution. 303 00:19:22,958 --> 00:19:23,958 You will need 304 00:19:24,000 --> 00:19:25,833 songs of yours. Well yes! 305 00:19:26,000 --> 00:19:27,833 We're not just going to do covers. 306 00:19:28,000 --> 00:19:30,541 We have here the best authors in Paris. 307 00:19:30,833 --> 00:19:33,583 Do you have anything to offer us? 308 00:19:34,250 --> 00:19:36,583 We have two or three songs achievements, yes. 309 00:19:37,375 --> 00:19:41,166 But we plan to offer them to more famous singers. 310 00:19:42,041 --> 00:19:43,833 Well, which are already running. 311 00:19:44,000 --> 00:19:47,333 But the spirit of the Club de la Chanson, it's precisely... 312 00:19:47,500 --> 00:19:48,500 It doesn't matter. 313 00:19:49,708 --> 00:19:51,125 We're going to do it ourselves. 314 00:19:51,958 --> 00:19:55,625 It shouldn't be very complicated to write two verses and a chorus. 315 00:20:02,291 --> 00:20:03,791 Look on the desk. 316 00:20:04,958 --> 00:20:06,625 There are pens too. 317 00:20:19,041 --> 00:20:21,291 I can't take it anymore of all their "lalalalala". 318 00:20:21,458 --> 00:20:23,000 "I'm walking down the street, lalalalala", 319 00:20:23,500 --> 00:20:25,291 "And look at the sky, lalalalala"... 320 00:20:26,166 --> 00:20:27,791 You have to put words instead. 321 00:20:28,291 --> 00:20:30,083 I thought of something. 322 00:20:32,458 --> 00:20:33,708 Keep it up. 323 00:20:35,458 --> 00:20:36,916 He wore 324 00:20:37,083 --> 00:20:38,083 a taupe felt pen 325 00:20:41,166 --> 00:20:42,333 A taupe felt hat? 326 00:20:42,625 --> 00:20:43,625 Yes. 327 00:20:43,750 --> 00:20:45,375 I was in your neighborhood 328 00:20:45,833 --> 00:20:48,791 and on the window of a hatter, I see “taupé felt”. 329 00:20:48,958 --> 00:20:51,916 The guy explained to me that it was made of mole skin. 330 00:20:52,083 --> 00:20:55,625 With the war, even the bourgeois make do. 331 00:20:55,791 --> 00:20:58,833 - A taupe felt hat? I like it a lot. - It's true ? 332 00:20:59,000 --> 00:21:00,541 Yes. 333 00:21:00,916 --> 00:21:03,333 I would like to rhyme that with "onomatopoeia". 334 00:21:03,500 --> 00:21:05,208 I could scatter like a jazzman. 335 00:21:05,375 --> 00:21:06,791 That, you're talking to me. 336 00:21:08,416 --> 00:21:09,500 Shall we try together? 337 00:21:14,375 --> 00:21:16,708 HE WEARED A TAUTÉ FEAT 338 00:21:16,875 --> 00:21:18,833 He spoke in onomatopoeia 339 00:21:19,000 --> 00:21:21,208 He drank smoothies 340 00:21:21,375 --> 00:21:24,208 With straws 341 00:21:24,375 --> 00:21:25,708 But it works! 342 00:21:26,083 --> 00:21:27,666 But I find it senseless. 343 00:21:28,041 --> 00:21:29,791 Boh, have you ever written before? 344 00:21:29,958 --> 00:21:31,041 No. 345 00:21:31,208 --> 00:21:33,541 - I don't believe you. - I swear no. 346 00:21:34,125 --> 00:21:35,708 The crazy thing is... 347 00:21:36,750 --> 00:21:38,750 It doesn't even seem difficult to me. 348 00:21:39,666 --> 00:21:41,625 THEY LATER MARRIED 349 00:21:41,791 --> 00:21:44,083 THIS MADE A HOUSEHOLD OF CRAZIES 350 00:21:44,250 --> 00:21:48,250 - WHO WALKS WITH COMBINED STEPS - Boulevard Raspail 351 00:21:48,416 --> 00:21:50,166 - You have to see them... - In cafes 352 00:21:50,333 --> 00:21:52,500 - On the counter... - Drinking smoothies 353 00:21:53,166 --> 00:21:54,166 CAFES 354 00:21:54,416 --> 00:21:59,083 COFFEES BROKEN WITH STRAWS 355 00:21:59,791 --> 00:22:01,291 Thank you. 356 00:22:04,250 --> 00:22:07,916 Now, ladies and gentlemen, I leave you with Miss Viviane. 357 00:22:12,333 --> 00:22:15,083 Did you spot them both there? The mother and the daughter. 358 00:22:15,541 --> 00:22:16,708 I'm going to go see them. 359 00:22:16,875 --> 00:22:20,541 You join us. You speak with the mother and me, with the girl. 360 00:22:20,708 --> 00:22:23,250 But who is the mother, who is the girl? 361 00:22:23,625 --> 00:22:26,375 You know what? I'm going to make them my special. 362 00:22:26,541 --> 00:22:28,833 Like last time, at the little club of... 363 00:22:29,250 --> 00:22:30,291 Charles? 364 00:22:31,833 --> 00:22:34,250 Good evening. I was watching you from the stage. 365 00:22:34,416 --> 00:22:36,750 - You light up the whole room. - THANKS. 366 00:22:36,916 --> 00:22:38,500 - Do you say that every time? - No. 367 00:22:39,083 --> 00:22:40,625 - Do you allow that? - You are welcome. 368 00:22:40,791 --> 00:22:42,125 Good evening, ladies. 369 00:22:42,291 --> 00:22:44,583 I was watching you from the stage. 370 00:22:44,750 --> 00:22:46,583 You light up the whole room. 371 00:22:47,791 --> 00:22:48,916 All right. 372 00:22:49,083 --> 00:22:52,000 - And a liar, at that. - Only for special occasions. 373 00:22:52,166 --> 00:22:54,958 Is it me, the opportunity? Is this supposed to make me happy? 374 00:22:55,125 --> 00:22:57,250 No, I'm the big occasion. 375 00:22:57,833 --> 00:23:00,333 It's up to me to judge, if you allow me. 376 00:23:00,500 --> 00:23:01,500 SO ? 377 00:23:01,916 --> 00:23:03,250 What is the verdict? 378 00:23:03,416 --> 00:23:04,416 So... 379 00:23:05,166 --> 00:23:07,458 laborious beginnings, but interesting distribution. 380 00:23:07,625 --> 00:23:09,791 There are hopes for the future. 381 00:23:10,208 --> 00:23:12,875 It's about the sequel that I am the best. 382 00:23:13,041 --> 00:23:14,125 All right. 383 00:23:16,208 --> 00:23:17,208 So what? 384 00:23:18,041 --> 00:23:19,375 No continuation possible? 385 00:23:20,333 --> 00:23:22,666 I will try to go and light up the stage. 386 00:23:22,833 --> 00:23:23,833 Ah good ? 387 00:23:26,125 --> 00:23:29,458 You had it very young. I thought she was your sister. 388 00:23:33,416 --> 00:23:38,250 I have two loves 389 00:23:38,666 --> 00:23:42,291 My country and Paris 390 00:23:43,833 --> 00:23:47,833 By them always 391 00:23:48,333 --> 00:23:51,083 My heart is delighted 392 00:23:55,458 --> 00:23:57,333 - Where are you going, my son? - In Lille. 393 00:23:58,208 --> 00:23:59,833 We're going to do a concert. 394 00:24:01,791 --> 00:24:03,416 I write songs now. 395 00:24:03,583 --> 00:24:05,125 Songs? 396 00:24:05,291 --> 00:24:06,541 That's good. 397 00:24:06,708 --> 00:24:09,333 You know what it is the best song? 398 00:24:09,500 --> 00:24:10,750 “There is joy.” 399 00:24:10,916 --> 00:24:12,916 There is joy. 400 00:24:13,083 --> 00:24:14,333 Swallows, there is joy 401 00:24:14,500 --> 00:24:17,500 - No one can do better. - You make me laugh. 402 00:24:18,333 --> 00:24:19,375 Come on. 403 00:24:19,541 --> 00:24:21,416 - See you soon, Dad. - Good luck. 404 00:24:24,666 --> 00:24:27,333 I hope we will deal to admirers. 405 00:24:27,500 --> 00:24:29,208 When we hold 406 00:24:29,833 --> 00:24:31,458 In his hands 407 00:24:31,625 --> 00:24:33,916 This wealth 408 00:24:35,250 --> 00:24:37,583 - Be twenty years old - It's not the time, come on! 409 00:24:37,750 --> 00:24:38,750 Tomorrows 410 00:24:39,000 --> 00:24:41,083 - Full of promises - No, cows. 411 00:24:41,250 --> 00:24:43,500 Come, Mr. “Azbanour”. We're going to sing. 412 00:24:43,666 --> 00:24:49,500 When love bends over us 413 00:24:51,166 --> 00:24:53,333 To offer us 414 00:24:54,375 --> 00:24:57,333 His sleepless nights 415 00:24:58,125 --> 00:24:59,833 When we see 416 00:25:00,000 --> 00:25:01,583 Far ahead 417 00:25:01,750 --> 00:25:03,875 Laugh at life 418 00:25:05,500 --> 00:25:08,291 Embroidered with hope, rich with joy 419 00:25:09,083 --> 00:25:11,000 And madness 420 00:25:12,583 --> 00:25:17,958 You have to drink to the point of intoxication 421 00:25:19,250 --> 00:25:23,666 His youth 422 00:25:29,416 --> 00:25:32,000 - Are you Jewish? - No not at all. 423 00:25:32,458 --> 00:25:33,625 Pull down your pants. 424 00:25:38,250 --> 00:25:39,250 Hurry up! 425 00:25:41,666 --> 00:25:46,083 And never again 426 00:25:46,250 --> 00:25:47,083 Go ahead. 427 00:25:47,250 --> 00:25:49,708 Lost time 428 00:25:50,291 --> 00:25:52,708 - Don't face us - Get out. 429 00:25:54,958 --> 00:25:58,291 He passes 430 00:25:58,916 --> 00:26:00,333 Often in vain 431 00:26:00,500 --> 00:26:02,333 - There's no more bread. - We hold out our hands 432 00:26:02,791 --> 00:26:04,125 And we regret 433 00:26:06,625 --> 00:26:08,000 It's too late 434 00:26:08,875 --> 00:26:11,958 On his way, nothing stops him 435 00:26:13,791 --> 00:26:15,708 We cannot keep constantly 436 00:26:18,541 --> 00:26:19,791 His youth 437 00:26:20,250 --> 00:26:25,083 His youth 438 00:26:27,291 --> 00:26:30,041 Before you smile, we leave childhood 439 00:26:30,375 --> 00:26:33,250 Before you know it, youth flees 440 00:26:33,875 --> 00:26:37,208 It seems so short that we are all surprised 441 00:26:38,458 --> 00:26:41,416 That before understanding, we leave existence 442 00:26:41,833 --> 00:26:42,666 When we hold 443 00:26:42,833 --> 00:26:44,875 In his hands This wealth 444 00:26:45,041 --> 00:26:46,375 Be twenty years old 445 00:26:46,541 --> 00:26:48,708 Tomorrows full of promise 446 00:26:49,041 --> 00:26:52,791 When love bends over us To give us his sleepless nights 447 00:26:52,958 --> 00:26:55,125 - When we see - When we see 448 00:26:55,291 --> 00:26:56,601 - Far ahead - Far ahead 449 00:26:56,625 --> 00:26:59,166 - Laugh at life - Laugh at life 450 00:26:59,333 --> 00:27:01,625 - Embroidered with hope - Embroidered with hope 451 00:27:01,791 --> 00:27:03,541 - Rich with joy - Rich with joy 452 00:27:03,708 --> 00:27:05,875 And madness 453 00:27:06,916 --> 00:27:08,916 You have to drink to the point of intoxication 454 00:27:10,333 --> 00:27:11,333 His youth 455 00:27:11,875 --> 00:27:13,708 Because every moment Of our twenty years 456 00:27:13,875 --> 00:27:15,208 We are counted 457 00:27:15,375 --> 00:27:16,666 And never again Lost time 458 00:27:16,833 --> 00:27:18,250 Don't face us 459 00:27:18,708 --> 00:27:20,000 He passes 460 00:27:21,166 --> 00:27:22,625 They had the Manouchian network. 461 00:27:23,000 --> 00:27:24,916 Apparently they've already shot them. 462 00:27:29,541 --> 00:27:30,583 I have to go. 463 00:27:30,750 --> 00:27:31,791 Yes yes. 464 00:27:41,500 --> 00:27:42,500 Quickly, quickly! 465 00:27:42,625 --> 00:27:45,375 We can't stay here anymore, it's dangerous. 466 00:27:45,541 --> 00:27:47,750 The Germans will find us. 467 00:27:47,916 --> 00:27:49,583 Let's go to the hotel opposite. 468 00:27:51,125 --> 00:27:53,875 Quickly ! We're going to hide at the hotel. 469 00:28:01,083 --> 00:28:02,250 Come on, quickly! 470 00:28:03,333 --> 00:28:04,416 Hurry up. 471 00:28:04,583 --> 00:28:06,416 Aznavourian, first floor! 472 00:28:07,250 --> 00:28:08,833 Let's go up, quickly! 473 00:28:12,208 --> 00:28:14,583 - Sir ! - Micheline? 474 00:28:14,750 --> 00:28:16,500 - It's over! - What ? 475 00:28:16,666 --> 00:28:18,083 - We are free! - I'm coming. 476 00:28:18,250 --> 00:28:19,500 - Get down! - How are you ? 477 00:28:19,666 --> 00:28:22,541 Yes, it's okay! The Americans are there. 478 00:28:22,708 --> 00:28:24,291 We are free! 479 00:28:24,458 --> 00:28:25,875 Come on, come down! 480 00:28:26,250 --> 00:28:27,583 Get off! 481 00:28:27,750 --> 00:28:28,875 Come! 482 00:28:34,083 --> 00:28:35,208 Micheline! 483 00:28:37,833 --> 00:28:39,916 - I'm so happy to see you. - Me too. 484 00:28:44,000 --> 00:28:45,791 - Are we free? - Yes. 485 00:29:01,750 --> 00:29:03,375 Long live freedom! 486 00:30:01,125 --> 00:30:02,583 Charles? 487 00:30:05,458 --> 00:30:06,958 It was great. Thank you so much. 488 00:30:07,125 --> 00:30:08,458 Can you laugh about it, can you? 489 00:30:08,625 --> 00:30:11,166 - I can't wait until we have our house. - Charles, are you there? 490 00:30:14,791 --> 00:30:16,833 - You're here too, Micheline. - Yes. 491 00:30:17,000 --> 00:30:18,000 Are you okay, Charles? 492 00:30:18,083 --> 00:30:19,125 - Yes. - You look tense. 493 00:30:20,208 --> 00:30:21,208 No. 494 00:30:21,500 --> 00:30:22,541 Are you hungry? 495 00:30:23,125 --> 00:30:24,541 Yes. No. 496 00:30:25,375 --> 00:30:26,791 I'm going to make food. 497 00:30:33,250 --> 00:30:34,250 It's going to work. 498 00:30:34,375 --> 00:30:36,250 If we have 1,000 francs, that's great. 499 00:30:36,416 --> 00:30:39,250 - Leave it to me. Say nothing. - You're going to ruin everything. 500 00:30:39,416 --> 00:30:41,875 - Shut up and smile. - The artists! 501 00:30:42,791 --> 00:30:44,500 We're going over three evenings, right? 502 00:30:45,125 --> 00:30:47,333 I can offer you... 1,500. 503 00:30:48,208 --> 00:30:49,208 Well no. No. 504 00:30:49,791 --> 00:30:50,958 We have 3,000. 505 00:30:51,500 --> 00:30:52,500 3,000? 506 00:30:52,750 --> 00:30:53,750 Each ? 507 00:30:56,833 --> 00:30:57,833 Of course. 508 00:30:59,625 --> 00:31:00,708 Per evening? 509 00:31:04,500 --> 00:31:06,583 Wait, guys, 18,000 francs! 510 00:31:07,125 --> 00:31:08,500 Well, that's it. It's... 511 00:31:08,958 --> 00:31:10,750 This is what we usually take. 512 00:31:11,791 --> 00:31:12,916 Well, it's not cheap. 513 00:31:14,708 --> 00:31:16,666 But hey... Here's a little advance. 514 00:31:17,708 --> 00:31:19,583 So far there are only 1,000. 515 00:31:21,333 --> 00:31:22,333 We will prepare you 516 00:31:22,416 --> 00:31:24,083 your contracts, and then we sign 517 00:31:24,250 --> 00:31:26,083 - starting tomorrow. - THANKS. 518 00:31:32,833 --> 00:31:33,833 Wait. 519 00:31:38,291 --> 00:31:40,708 We're going to drink, my friend. We're going to party. 520 00:31:40,875 --> 00:31:43,291 Tonight, the best restaurant in Paris. 521 00:31:43,458 --> 00:31:46,041 - Gladly. - Better yet: all this week 522 00:31:46,208 --> 00:31:49,541 - we have the best restaurants. - Tutututut. 523 00:31:49,708 --> 00:31:51,750 Wait, tonight, we're having fun. 524 00:31:51,916 --> 00:31:53,458 But the rest, we will invest it. 525 00:31:53,625 --> 00:31:56,166 - We're going to have our posters printed. - But no. 526 00:31:56,333 --> 00:31:59,291 For once we have a little side, must take advantage. 527 00:31:59,458 --> 00:32:02,291 But we're going to enjoy it. But later, even better. 528 00:32:02,458 --> 00:32:03,978 In the meantime, let's make ourselves known. 529 00:32:05,125 --> 00:32:07,750 Advertising is important. 530 00:32:15,333 --> 00:32:16,333 Welcome everyone 531 00:32:16,458 --> 00:32:20,166 in Paris Radio Diffusion, musical and live broadcast. 532 00:32:20,708 --> 00:32:23,833 - Do you see who is there? - Charles Trenet. 533 00:32:24,000 --> 00:32:25,291 And Edith Piaf. 534 00:32:25,875 --> 00:32:27,083 And Edith Piaf! 535 00:32:28,083 --> 00:32:31,458 Roche and Aznavour, with “Express Departure”! 536 00:32:36,125 --> 00:32:37,166 Ladies and Gentlemen. 537 00:32:43,458 --> 00:32:45,333 ONE DAY IN MAY WHEN BOREDOM WEIGHED ME 538 00:32:45,500 --> 00:32:48,583 TO LIVE MY LIFE LEAVING WHAT OPRESSES ME 539 00:32:48,750 --> 00:32:50,350 I LEFT EVERYTHING WITHOUT GRIEF WITHOUT REGRET 540 00:32:50,416 --> 00:32:52,750 SINCE TRAVEL SHAPES YOUTH 541 00:32:52,916 --> 00:32:55,708 To curious people, I answered... 542 00:32:55,875 --> 00:32:57,083 “Destination unknown” 543 00:32:58,291 --> 00:33:00,666 I TOOK THE FIRST TRAIN WHO LEFT IN THE MORNING 544 00:33:00,833 --> 00:33:02,916 BY CHANCE, ON THE TRAIN THERE WAS A VERY GOOD WOMAN 545 00:33:03,291 --> 00:33:05,375 AS DESTINY WATCHES OVER ME KINDLY 546 00:33:05,750 --> 00:33:08,041 SHE WAS JUST IN MY COMPARTMENT 547 00:33:08,208 --> 00:33:10,583 THE TRAIN WAS ROLLING AN INFERNAL DIN 548 00:33:10,750 --> 00:33:13,000 ON THE WOODEN BENCH WE WERE RATHER BAD 549 00:33:13,375 --> 00:33:15,666 AND WHEN I TOOK HIS HAND SPEAKING GENTLY 550 00:33:15,833 --> 00:33:17,953 FASTER THAN THE TRAIN MY HEARTBEAT WAS GOING 551 00:33:18,000 --> 00:33:20,583 In a charming, slightly mocking tone 552 00:33:20,750 --> 00:33:22,666 In an instant I took his heart 553 00:33:23,041 --> 00:33:25,458 I very gallantly proposed to him: 554 00:33:25,625 --> 00:33:28,000 “Come with me to the dining car” 555 00:33:28,458 --> 00:33:30,791 Gentlemen, congratulations. I really liked it. 556 00:33:31,083 --> 00:33:33,375 Coming from you, Mr. Trenet, it's an honor. 557 00:33:33,708 --> 00:33:36,541 You know Raoul Breton, major publisher in Paris? 558 00:33:36,708 --> 00:33:37,833 - Of course. - We can't 559 00:33:38,000 --> 00:33:41,416 you miss, you have posters everywhere. That interests me. 560 00:33:41,583 --> 00:33:43,375 Come see me next week. 561 00:33:43,541 --> 00:33:45,916 With pleasure, thank you. Monday morning? 562 00:33:46,750 --> 00:33:48,458 Yes, Monday morning, 563 00:33:48,625 --> 00:33:49,905 - that's good. - See you soon, Edith. 564 00:33:50,041 --> 00:33:51,250 Until next time. 565 00:33:51,416 --> 00:33:54,791 - It was an honor to receive you. - Come, come and see. 566 00:33:55,375 --> 00:33:57,291 - Me ? - Well yes, you. 567 00:34:03,000 --> 00:34:05,708 It was good. It moves a little compared to the others. 568 00:34:06,000 --> 00:34:08,250 - Thank you so much. - What are you doing this evening? 569 00:34:08,416 --> 00:34:10,625 There will be friends at my house. Do you want to come? 570 00:34:12,958 --> 00:34:15,291 Yes. My pleasure. 571 00:34:15,708 --> 00:34:16,708 My partner too? 572 00:34:17,083 --> 00:34:19,583 - The partner? - Well, bring him too. 573 00:34:19,750 --> 00:34:21,375 - See you later. - See you later. 574 00:34:29,500 --> 00:34:32,000 There they are. They finally found it. 575 00:34:32,916 --> 00:34:35,541 The little one sang well. Then he writes, in addition. 576 00:34:36,291 --> 00:34:39,208 Give them a drink. Then hold me tight, don't lose your grip. 577 00:34:39,375 --> 00:34:41,708 Edith, slowly all the same. 578 00:34:41,875 --> 00:34:43,125 It's okay, honey. 579 00:34:43,291 --> 00:34:46,041 He's afraid I'll turn ugly. He hides me 580 00:34:46,208 --> 00:34:48,166 - the bottles. - Do you write music? 581 00:34:48,333 --> 00:34:49,333 Words, above all. 582 00:34:49,458 --> 00:34:50,583 And pretty good, even. 583 00:34:50,750 --> 00:34:53,750 His way of writing is interesting. Not like the others. 584 00:34:53,916 --> 00:34:55,291 His voice is not bad. 585 00:34:55,458 --> 00:34:57,458 A little broken. He looks like an American. 586 00:34:57,625 --> 00:34:59,875 - Are you Jewish? - No, Armenian. 587 00:35:00,916 --> 00:35:02,166 - What is this ? - There. 588 00:35:02,625 --> 00:35:05,083 - Too long to explain. - So don't look. 589 00:35:05,500 --> 00:35:06,958 Why black? In mourning? 590 00:35:07,250 --> 00:35:09,166 No. When it's dirty, it’s less visible. 591 00:35:09,541 --> 00:35:12,000 It turns out, Is your shirt disgusting? 592 00:35:12,166 --> 00:35:13,833 It could be, yes. 593 00:35:14,000 --> 00:35:15,500 It's very good. 594 00:35:15,666 --> 00:35:17,375 He even wears dirty towels. 595 00:35:18,541 --> 00:35:20,208 Are you like me, do you come from the street? 596 00:35:20,375 --> 00:35:22,708 - Did you sing in the street? - And how! 597 00:35:23,083 --> 00:35:25,125 Now, I'm starting to like you. 598 00:35:25,291 --> 00:35:28,166 I bought a bicycle to go to the musette ball. 599 00:35:28,333 --> 00:35:30,625 - Yeah ? - Have you ever been to the Petit Balcon? 600 00:35:30,791 --> 00:35:32,375 Of course. I prefer the Ball to Jo. 601 00:35:32,541 --> 00:35:33,541 Are you quibbling on the 3 stroke? 602 00:35:34,125 --> 00:35:34,916 I want to, yes. 603 00:35:35,083 --> 00:35:36,083 Right side up, upside down? 604 00:35:36,125 --> 00:35:36,750 Obviously. 605 00:35:36,916 --> 00:35:37,916 - Upside down? - Yes. 606 00:35:38,041 --> 00:35:39,666 Well, my bastard, we'll see that. 607 00:35:39,958 --> 00:35:42,000 Here, Michel, Henri, roll up the carpet for me. 608 00:35:42,166 --> 00:35:43,875 Marguerite, at the piano. Play a waltz. 609 00:35:44,458 --> 00:35:45,875 We will see if Mr. Aznavour 610 00:35:46,041 --> 00:35:47,583 knows how to dance the waltz backwards. 611 00:35:47,750 --> 00:35:48,916 Help me get up, you. 612 00:35:51,708 --> 00:35:52,750 So... 613 00:35:54,625 --> 00:35:56,500 And... one, two, three. 614 00:36:15,958 --> 00:36:19,208 - It's a real one. - I return the compliment, madam. 615 00:36:19,958 --> 00:36:21,458 Call me Edith. 616 00:36:21,625 --> 00:36:22,875 Okay, Edith. 617 00:36:24,375 --> 00:36:27,750 I'm going on tour with the Compagnons de la Chanson. 618 00:36:28,333 --> 00:36:29,583 I'll give you your chance. 619 00:36:30,000 --> 00:36:31,583 You are going to be my curtain raiser. 620 00:36:31,750 --> 00:36:34,541 - After the intermission, you will announce me. - Well, thank you. 621 00:36:36,125 --> 00:36:37,666 But if I may dare, 622 00:36:39,000 --> 00:36:40,666 will we be paid, or...? 623 00:36:42,750 --> 00:36:46,166 I offer to go on tour and you ask how much? 624 00:36:47,416 --> 00:36:49,750 That's true. Pardon. 625 00:36:50,666 --> 00:36:53,125 I have a family to feed and I plan to get married. 626 00:36:54,125 --> 00:36:57,083 At your age and in this profession, we are single. 627 00:36:57,250 --> 00:36:58,250 Am I married? 628 00:37:01,000 --> 00:37:02,000 Alright. 629 00:37:02,125 --> 00:37:04,041 Train to Roubaix, the day after tomorrow, at 8:20 a.m. 630 00:37:04,208 --> 00:37:06,333 Be on time. Don't jump on the bandwagon. 631 00:37:08,208 --> 00:37:10,291 Thank you, Edith. 632 00:37:18,958 --> 00:37:20,041 No ! 633 00:37:24,500 --> 00:37:25,875 Shit ! 634 00:37:27,458 --> 00:37:28,458 Pierre is going to kill me. 635 00:37:28,625 --> 00:37:30,291 Let me pass, sapristi! 636 00:37:30,458 --> 00:37:31,916 - Excuse me. - You too ? 637 00:37:33,875 --> 00:37:34,625 - But no ? - Look at. 638 00:37:34,791 --> 00:37:36,375 Goodness! 639 00:37:37,583 --> 00:37:39,041 - We're puppets. - We laugh, 640 00:37:39,208 --> 00:37:41,416 we laugh, but we just ruined everything. 641 00:37:41,875 --> 00:37:43,666 Okay, I'm going to go back to bed. 642 00:37:43,833 --> 00:37:46,083 - A pretty blonde is waiting for me in my bed. - No. 643 00:37:46,250 --> 00:37:47,875 We're not going to stay like this. 644 00:37:48,333 --> 00:37:49,333 We're going to the bus station. 645 00:37:49,500 --> 00:37:52,000 Bridges destroyed, the trains are having trouble. 646 00:37:52,750 --> 00:37:55,291 We can arrive at the same time as her. 647 00:37:55,458 --> 00:37:57,541 - Here we go. - Let's go, let's go. 648 00:38:01,500 --> 00:38:02,541 Edith! 649 00:38:03,125 --> 00:38:05,291 Well, are you there? 650 00:38:05,458 --> 00:38:07,125 We didn't jump on the bandwagon. 651 00:38:07,291 --> 00:38:08,958 And they're smart, too. 652 00:38:09,291 --> 00:38:12,416 I can't wait to see what it turns out to be, with zigotos. 653 00:38:12,583 --> 00:38:13,833 - See you tonight. - See you tonight. 654 00:38:14,000 --> 00:38:16,375 - We play at 8 a.m. Be there at 7 a.m. - We'll be there. 655 00:38:16,541 --> 00:38:17,583 We'll be there. 656 00:38:17,958 --> 00:38:19,583 Ladies and gentlemen, 657 00:38:20,375 --> 00:38:24,875 only one name. And in this name, the whole song. 658 00:38:25,041 --> 00:38:26,541 Edith Piaf. 659 00:38:32,625 --> 00:38:33,708 THANKS. 660 00:38:35,458 --> 00:38:38,458 By Michel Emer, “The Accordionist”. 661 00:38:55,125 --> 00:38:57,583 The girl of joy is beautiful 662 00:38:57,750 --> 00:39:00,375 On the corner over there 663 00:39:00,541 --> 00:39:02,708 She has a clientele 664 00:39:02,875 --> 00:39:05,625 Who fills his stocking 665 00:39:05,791 --> 00:39:08,291 When his job is done 666 00:39:08,458 --> 00:39:10,958 She leaves in turn 667 00:39:11,125 --> 00:39:13,250 Looking for a little dream 668 00:39:13,416 --> 00:39:16,416 At a ball in the suburbs 669 00:39:16,583 --> 00:39:19,375 Her man is an artist 670 00:39:19,541 --> 00:39:22,125 He's a funny little guy 671 00:39:22,583 --> 00:39:25,166 An accordionist 672 00:39:25,666 --> 00:39:32,125 Who knows how to play java? 673 00:39:33,416 --> 00:39:34,833 She listens to java 674 00:39:35,000 --> 00:39:36,833 But she doesn't dance it 675 00:39:37,000 --> 00:39:40,083 She doesn't even look at the track 676 00:39:40,250 --> 00:39:41,791 But her loving eyes 677 00:39:41,958 --> 00:39:43,375 Nervous play follows 678 00:39:43,791 --> 00:39:46,666 And dry, long fingers from the artist 679 00:39:46,833 --> 00:39:48,416 It gets under his skin 680 00:39:48,583 --> 00:39:50,416 From below, from above 681 00:39:50,583 --> 00:39:53,375 She wants to sing It's physical 682 00:39:53,750 --> 00:39:55,333 His whole being is tense 683 00:39:55,500 --> 00:39:57,291 His breath is suspended 684 00:39:57,458 --> 00:40:00,541 It's a real twist in music 685 00:40:05,833 --> 00:40:08,625 The girl of joy is sad 686 00:40:08,791 --> 00:40:11,208 On the corner over there 687 00:40:11,625 --> 00:40:14,625 His accordionist 688 00:40:14,791 --> 00:40:17,041 He left soldier 689 00:40:17,666 --> 00:40:20,208 When he returns from the war 690 00:40:20,375 --> 00:40:22,333 They will take a house 691 00:40:23,166 --> 00:40:25,333 She will be the cashier 692 00:40:25,500 --> 00:40:29,000 And he will be the boss 693 00:40:29,833 --> 00:40:31,958 How beautiful life will be! 694 00:40:32,125 --> 00:40:34,416 They will be real pashas 695 00:40:35,125 --> 00:40:38,375 And every night for her 696 00:40:38,541 --> 00:40:44,375 It will play java 697 00:40:45,291 --> 00:40:46,875 She listens to java 698 00:40:47,041 --> 00:40:49,125 That she hums softly 699 00:40:49,291 --> 00:40:51,958 She sees her accordionist again 700 00:40:52,125 --> 00:40:53,833 And her loving eyes 701 00:40:54,000 --> 00:40:55,500 Nervous play follows 702 00:40:55,666 --> 00:40:58,458 And dry, long fingers from the artist 703 00:40:58,625 --> 00:41:00,333 It gets under his skin 704 00:41:00,500 --> 00:41:02,375 From below, from above 705 00:41:02,541 --> 00:41:05,291 She wants to cry It's physical 706 00:41:05,458 --> 00:41:06,958 His whole being is tense 707 00:41:07,125 --> 00:41:08,958 His breath is suspended 708 00:41:09,125 --> 00:41:13,041 It's a real twist in music 709 00:41:16,416 --> 00:41:18,750 By the way, we're going to cut the tour short. 710 00:41:18,916 --> 00:41:20,791 I had an offer for New York. 711 00:41:20,958 --> 00:41:23,041 New York ? The dream! 712 00:41:24,041 --> 00:41:25,583 When are we leaving? 713 00:41:25,750 --> 00:41:27,083 I'm leaving next Tuesday. 714 00:41:27,250 --> 00:41:29,833 You, well... when you can pay for your ticket. 715 00:41:36,250 --> 00:41:37,583 Stop! 716 00:41:40,458 --> 00:41:43,500 I have to buy him some clothes. Everything is too small. 717 00:41:47,791 --> 00:41:50,041 We have to move. The Nazis have returned. 718 00:41:54,875 --> 00:41:57,541 Seda is Roche's daughter. 719 00:41:59,041 --> 00:42:01,000 Charles? You're not listening to me. 720 00:42:01,166 --> 00:42:03,916 - Sorry, excuse me. - I was thinking. 721 00:42:04,750 --> 00:42:06,250 - Tell me. - When are you with us? 722 00:42:06,916 --> 00:42:10,250 You've been on tour for months. You've barely seen your daughter. 723 00:42:10,416 --> 00:42:12,375 I was glad it was over. 724 00:42:12,541 --> 00:42:14,458 I thought that you were happy to come home. 725 00:42:14,625 --> 00:42:17,458 I'm happy to come back and to see you, finally! 726 00:42:19,375 --> 00:42:22,166 I have the right to regret that the tour is over. 727 00:42:22,333 --> 00:42:23,916 I've been waiting for this my whole life. 728 00:42:24,083 --> 00:42:26,416 I do this for us, so that we can be safe. 729 00:42:26,583 --> 00:42:29,291 If my own wife doesn't understand that, what do I do? 730 00:42:29,458 --> 00:42:32,666 - I put my career aside for Seda. - No ! 731 00:42:32,833 --> 00:42:33,916 No. 732 00:42:34,625 --> 00:42:36,125 I never asked you that. 733 00:42:36,291 --> 00:42:39,250 You could continue. My parents would have taken care of it. 734 00:42:39,916 --> 00:42:41,375 She needs parents. 735 00:42:41,541 --> 00:42:45,208 - What the hell would you do in New York? - I'm going to do my job there! 736 00:42:45,958 --> 00:42:47,333 If I have to neglect everything around 737 00:42:47,500 --> 00:42:49,125 to get there, I will. 738 00:42:49,291 --> 00:42:52,041 You are constantly in progress to complain! 739 00:42:52,208 --> 00:42:54,375 - Never happy. - The world turned upside down! 740 00:42:54,708 --> 00:42:56,500 You're the one who's never satisfied. 741 00:42:56,666 --> 00:43:00,375 If at least you were happy with us... Even present, you are absent. 742 00:43:00,541 --> 00:43:02,750 You are in your thoughts, your songs. 743 00:43:03,750 --> 00:43:05,625 You're bored with us, Charles. 744 00:43:09,166 --> 00:43:11,750 - Isn't that serious? - For what ? Are you happy there? 745 00:43:11,916 --> 00:43:13,791 Are you happy with what we've been doing since then? 746 00:43:14,666 --> 00:43:17,583 Can you imagine little American girls? hanging from your neck? 747 00:43:17,750 --> 00:43:21,541 How to get tickets? My parents cut me off. 748 00:43:21,875 --> 00:43:24,666 -And you have a wife and a daughter. - Trust me. 749 00:43:25,000 --> 00:43:26,125 So, my children, 750 00:43:26,625 --> 00:43:27,625 that's it. 751 00:43:28,250 --> 00:43:29,583 It's the big day. 752 00:43:31,000 --> 00:43:34,583 I am very proud that you are joining the Raoul Breton house. 753 00:43:34,916 --> 00:43:37,000 I'm already telling everyone about you. I signed 754 00:43:37,166 --> 00:43:38,833 incredible songwriters. 755 00:43:39,750 --> 00:43:42,166 We are going to write for all the great singers. 756 00:43:42,333 --> 00:43:44,125 - Have you read the contract? - YES. 757 00:43:45,750 --> 00:43:47,500 - Did you see the advance? - Yes, thank you. 758 00:43:47,916 --> 00:43:49,875 Exactly, we too, we got ahead. 759 00:43:50,041 --> 00:43:52,083 We have already written quite a few songs. 760 00:43:52,250 --> 00:43:54,125 And regarding the deposit, 761 00:43:54,291 --> 00:43:56,458 we need a little more because... 762 00:43:57,791 --> 00:43:59,750 we would like to talk to you about a project. 763 00:44:01,125 --> 00:44:03,541 But dad, you put too much stuff in there. 764 00:44:03,708 --> 00:44:06,250 - How are you, my son? - Let me help you. 765 00:44:06,416 --> 00:44:08,541 - Did you go to flea markets like that? - It'll be OK. 766 00:44:08,708 --> 00:44:12,500 - You're going to break your back. - Usually it is less heavy. 767 00:44:12,916 --> 00:44:14,375 Are you okay? 768 00:44:14,625 --> 00:44:18,041 How are you. Precisely, with Pierre, we're going to America. 769 00:44:18,208 --> 00:44:19,583 America? 770 00:44:19,750 --> 00:44:22,083 - We're going to join Piaf in New York. - New York ? 771 00:44:22,416 --> 00:44:25,625 Do you remember, when you were little, we wanted to live there. 772 00:44:25,791 --> 00:44:27,208 But we're good here. 773 00:44:32,708 --> 00:44:34,458 - No ! What are you doing ? - Take this. 774 00:44:34,625 --> 00:44:36,625 - No, keep it! - I have what I need. 775 00:44:36,791 --> 00:44:39,125 - It's your money. - I'm going to find a job. 776 00:44:39,291 --> 00:44:41,875 - You're going to need it there. - It'll be OK. 777 00:44:42,250 --> 00:44:43,250 All right ? 778 00:44:56,833 --> 00:44:58,500 It's incredible to be here. 779 00:44:58,666 --> 00:45:00,791 The country where everything is possible, Mr. Roche. 780 00:45:00,958 --> 00:45:03,000 Great things are going to happen here. 781 00:45:03,750 --> 00:45:05,041 America, 782 00:45:05,458 --> 00:45:06,791 to us! 783 00:45:07,666 --> 00:45:09,458 You don't have a visa? 784 00:45:10,875 --> 00:45:13,541 I don't think we can go back. You need a visa. 785 00:45:13,708 --> 00:45:16,708 What do you think? You don't speak English fluently? 786 00:45:16,875 --> 00:45:19,666 English, yes. But this is American. 787 00:45:20,041 --> 00:45:22,041 We talk about territorial administration. 788 00:45:22,458 --> 00:45:26,041 It's a very technical language, so let me do it. 789 00:45:27,041 --> 00:45:29,541 So... 790 00:45:29,708 --> 00:45:32,250 What...what are we... 791 00:45:32,791 --> 00:45:33,833 So, what? 792 00:45:35,125 --> 00:45:37,541 - Do you know Edith Piaf? - Immigration. 793 00:45:37,708 --> 00:45:38,416 The Kid! 794 00:45:38,583 --> 00:45:39,375 Following ! 795 00:45:39,541 --> 00:45:40,708 The Kid. 796 00:46:03,750 --> 00:46:05,458 Where are they taking us? 797 00:46:17,416 --> 00:46:19,291 What the hell are we doing here? 798 00:46:19,458 --> 00:46:22,083 - How long are we going to stay? - I don't know. 799 00:46:22,250 --> 00:46:23,916 You'll have to find some paper and a pen. 800 00:46:24,666 --> 00:46:25,826 Let us take advantage of this to write. 801 00:46:26,583 --> 00:46:27,743 What are you talking about ? 802 00:46:28,125 --> 00:46:29,416 Well done, Charles. 803 00:46:29,583 --> 00:46:30,666 - What ? - Your idea 804 00:46:30,833 --> 00:46:33,166 to join Piaf without warning anyone. THANKS. 805 00:46:33,333 --> 00:46:34,333 You're funny, you. 806 00:46:34,583 --> 00:46:37,000 It's you who bought the plane tickets. 807 00:46:37,166 --> 00:46:38,916 - They didn't tell you anything about the visa? - Yes, 808 00:46:39,083 --> 00:46:40,916 but I preferred prison. We are good. 809 00:46:41,083 --> 00:46:42,625 Well no, they didn't tell me anything! 810 00:46:43,250 --> 00:46:44,416 Okay, we need to call. 811 00:46:44,708 --> 00:46:47,375 - Whose? - I don't know. To our parents, 812 00:46:47,541 --> 00:46:49,416 I don't know. We can't stay here. 813 00:46:51,666 --> 00:46:52,916 You will catch diseases. 814 00:46:54,250 --> 00:46:56,541 I shouldn't have listened to you. We can't afford 815 00:46:56,708 --> 00:46:59,041 the return. You gave everything to your family. 816 00:47:00,750 --> 00:47:02,416 I already explained it to you, Pierre. 817 00:47:04,291 --> 00:47:05,416 I'm sorry. 818 00:47:10,875 --> 00:47:11,541 Okay, 819 00:47:11,708 --> 00:47:13,791 let's see if there are any young ladies. 820 00:47:37,875 --> 00:47:40,958 Mr. Charles Aznavourian and Mr. Pierre Roche. 821 00:47:41,125 --> 00:47:42,625 - Himself. - So... 822 00:47:42,958 --> 00:47:45,416 did you come here to kill the President? 823 00:47:45,583 --> 00:47:48,000 Did you come here to kill the president? 824 00:47:48,333 --> 00:47:49,333 No, no. 825 00:47:50,166 --> 00:47:52,875 - We don't even know who it is. - Two musicians. 826 00:47:53,333 --> 00:47:55,458 -What do you sing? - What are you singing? 827 00:47:55,625 --> 00:47:59,458 Our own songs, but also translated American standards. 828 00:47:59,625 --> 00:48:04,208 Their own songs, but also translations of famous American songs. 829 00:48:04,375 --> 00:48:05,416 What songs? 830 00:48:05,750 --> 00:48:07,708 I understood that. 831 00:48:07,875 --> 00:48:10,500 For example: for example. - Wow, that's good. 832 00:48:11,458 --> 00:48:13,333 For example... 833 00:48:13,875 --> 00:48:15,333 “Look To The Rainbow”. 834 00:48:16,250 --> 00:48:17,916 - Sing it for me. - Sing it. 835 00:48:22,333 --> 00:48:23,958 Three, four... 836 00:48:24,250 --> 00:48:26,500 - Look... - Look... 837 00:48:26,666 --> 00:48:29,000 LOOK TO THE RAINBOW 838 00:48:29,166 --> 00:48:31,875 LOOK, LOOK... 839 00:48:32,041 --> 00:48:34,875 LOOK AT THE RAINBOW 840 00:48:35,250 --> 00:48:40,875 FOLLOW THE FELLOW WHO FOLLOWS A DREAM 841 00:48:41,041 --> 00:48:48,000 FOLLOW YOUR DREAM 842 00:48:48,583 --> 00:48:50,083 - Hat. - Hats off, you. 843 00:48:50,875 --> 00:48:52,458 ADMITTED 844 00:49:06,708 --> 00:49:08,666 - What are you doing? - We'll find you. 845 00:49:09,500 --> 00:49:10,583 Bet held. 846 00:49:10,750 --> 00:49:12,750 Assholes, you think that I have time? 847 00:49:14,333 --> 00:49:16,166 Thank you... thing. 848 00:49:23,041 --> 00:49:24,041 Well... 849 00:49:26,250 --> 00:49:28,541 What are we going to do with you? my two zozos? 850 00:49:29,125 --> 00:49:31,125 I was told that you needed sorrel. 851 00:49:31,291 --> 00:49:34,083 We'll find some for you. I won't let you down. 852 00:49:34,250 --> 00:49:37,416 - I have an idea, but not in New York. - Where are we going to go? 853 00:49:40,291 --> 00:49:41,458 In Montreal. 854 00:49:44,208 --> 00:49:45,708 We'll find you tickets. 855 00:49:45,875 --> 00:49:47,583 Cover yourself. It's curdling over there. 856 00:49:47,750 --> 00:49:50,083 You will be welcomed by Gustave Longtin. 857 00:49:50,375 --> 00:49:52,625 I'll call him. He can refuse me nothing. 858 00:49:52,791 --> 00:49:55,000 He has a very good place, the Latin Quarter, 859 00:49:55,166 --> 00:49:56,208 which already has its customers. 860 00:49:56,708 --> 00:49:58,166 It has to work there. 861 00:49:58,333 --> 00:50:01,875 You will have the French and Quebecers love the French. 862 00:50:02,166 --> 00:50:05,125 With your Frenchie faces and your rhythmic songs, 863 00:50:05,291 --> 00:50:06,291 they will love you. 864 00:50:06,458 --> 00:50:10,083 He will find you a contract, an apartment... 865 00:50:10,250 --> 00:50:13,041 I'll tell him to say that you are my protégés 866 00:50:13,208 --> 00:50:16,458 and that you have crazy success in Paris. They won't check. 867 00:50:16,625 --> 00:50:19,125 You will have the Quebecois at your feet. 868 00:50:19,291 --> 00:50:21,083 Then you won't be in my hands. 869 00:50:22,125 --> 00:50:24,750 Here, guys. It is very deserved. 870 00:50:24,916 --> 00:50:26,166 3,500. 871 00:50:40,333 --> 00:50:42,833 There, Edmond, sorry, but we can't play here. 872 00:50:43,708 --> 00:50:44,708 Pardon ? 873 00:50:44,875 --> 00:50:47,166 How do you perform on a stage like that? 874 00:50:47,333 --> 00:50:48,875 If you can call it a scene. 875 00:50:49,041 --> 00:50:52,375 It's not the scene that attracts the world. It's the singer. 876 00:50:52,875 --> 00:50:56,583 Allow me, I learned my trade with Edith Piaf. 877 00:50:56,750 --> 00:50:59,458 She would never have set foot here. 878 00:51:00,125 --> 00:51:01,291 Okay. 879 00:51:01,458 --> 00:51:02,708 What would we do? 880 00:51:03,125 --> 00:51:04,291 Works. 881 00:51:05,000 --> 00:51:06,208 Lots of work. 882 00:51:06,541 --> 00:51:09,541 It's not a problem. You should think about it. 883 00:51:09,708 --> 00:51:11,750 I would like to speak to my colleague. 884 00:51:11,916 --> 00:51:13,125 So do that. 885 00:51:13,625 --> 00:51:15,875 There's nothing to think about, we're not going to come here. 886 00:51:16,041 --> 00:51:18,375 It's too small, ugly, dirty. It stinks. 887 00:51:19,083 --> 00:51:20,875 We are very happy in the Latin Quarter. 888 00:51:21,041 --> 00:51:24,416 Then you know who it is? Do you want to work for a mafioso? 889 00:51:24,583 --> 00:51:26,083 A mafioso, finally... 890 00:51:26,500 --> 00:51:29,583 - So what does that change? - I'm doubling your salary. 891 00:51:35,708 --> 00:51:36,958 Trust me. 892 00:51:37,416 --> 00:51:40,750 We need to review the decoration. It looks like an old dance hall. 893 00:51:40,916 --> 00:51:43,333 Refinish the walls, change the floor... 894 00:51:43,500 --> 00:51:45,916 The curtains are not correct no more? 895 00:51:46,083 --> 00:51:47,750 - No, I like them. - Yes ? 896 00:51:47,916 --> 00:51:50,916 I really like the color. We will have to move them back. 897 00:51:52,083 --> 00:51:54,083 We are going to install slides in the background. 898 00:51:54,250 --> 00:51:57,416 If we do that, it will become too small for the stage. 899 00:51:58,125 --> 00:51:59,583 Just extend it. 900 00:52:00,875 --> 00:52:02,541 And above all... He stamps his foot. 901 00:52:02,708 --> 00:52:03,833 raise it. 902 00:52:05,291 --> 00:52:06,625 It's an investment. 903 00:52:06,791 --> 00:52:08,833 - Believe me, you won't regret it. - Yes. 904 00:52:14,791 --> 00:52:15,791 - We're going to go. - Yes. 905 00:52:15,833 --> 00:52:17,375 I'm counting on you. Come on. 906 00:52:19,458 --> 00:52:21,458 Ladies and gentlemen, good evening. 907 00:52:21,625 --> 00:52:25,250 Thank you all for coming for the reopening of the Pheasant Doré. 908 00:52:25,416 --> 00:52:26,541 To celebrate, 909 00:52:26,708 --> 00:52:29,875 welcome the French duo that everyone is talking about: 910 00:52:30,041 --> 00:52:31,833 Roche and Aznavour. 911 00:52:36,750 --> 00:52:38,458 Good evening, Montreal. 912 00:52:38,625 --> 00:52:42,041 This is a piece that certainly will warm your heart. 913 00:52:42,458 --> 00:52:43,500 Three, four... 914 00:52:48,500 --> 00:52:50,625 HE WEARED A TAUTÉ FEAT 915 00:52:50,791 --> 00:52:52,958 HE SPOKED IN ONOMATOPEEIA 916 00:52:53,125 --> 00:52:55,166 HE DRINKS FRAPPED COFFEES 917 00:52:55,333 --> 00:52:57,250 With straws 918 00:52:57,416 --> 00:53:00,000 - You have to see them... - In a cafe 919 00:53:00,166 --> 00:53:01,875 - On the counter... - Drinking smoothies 920 00:53:02,041 --> 00:53:04,750 COFFEES, FRAPPED COFFEES 921 00:53:04,916 --> 00:53:07,583 WITH STRAWS 922 00:53:07,750 --> 00:53:09,333 - Jocelyn. - Good morning, Charles. 923 00:53:09,500 --> 00:53:11,125 - How are you ? - Yes and you ? 924 00:53:11,291 --> 00:53:14,916 - Is the bird awake? - Not for a long time. I run away. 925 00:53:15,083 --> 00:53:16,291 See you later. 926 00:53:18,000 --> 00:53:19,000 What are you doing ? 927 00:53:20,916 --> 00:53:22,541 -Charles? - Shit, then! 928 00:53:22,708 --> 00:53:26,083 - Your forehead doesn't fit into the frame. - You're stupid. You're beautiful, you. 929 00:53:26,250 --> 00:53:27,250 New suit. 930 00:53:28,750 --> 00:53:30,291 Tell me, Jocelyne, there... 931 00:53:30,458 --> 00:53:33,125 I've never met the same girl so much. One month, 932 00:53:33,291 --> 00:53:34,375 it's a record. 933 00:53:35,125 --> 00:53:36,750 It's true that I like him. 934 00:53:37,375 --> 00:53:40,416 - And where were you? - With Mariflore, the big redhead. 935 00:53:40,583 --> 00:53:41,583 Yes. 936 00:53:41,750 --> 00:53:45,250 I did the tour. I'm tired of little admirers. 937 00:53:45,916 --> 00:53:49,375 I see myself settling down with Jocelyne and build something. 938 00:53:49,541 --> 00:53:51,458 And then, we have the ideal life. 939 00:53:51,791 --> 00:53:53,750 We finally have everything we need. 940 00:53:54,333 --> 00:53:55,333 What ? 941 00:53:56,083 --> 00:53:58,583 “I see myself settling down with Jocelyne.” 942 00:53:58,750 --> 00:54:01,750 “Build something.” Are we talking about Pierre Roche? 943 00:54:03,250 --> 00:54:05,000 Laugh. You can't understand. 944 00:54:05,166 --> 00:54:08,708 You too, one day, will want to have a wife and a child. 945 00:54:10,458 --> 00:54:12,000 That's a low blow. 946 00:54:14,083 --> 00:54:15,083 But anyway, Charles... 947 00:54:21,375 --> 00:54:22,500 You're right. 948 00:54:25,375 --> 00:54:27,083 I have to stop lying to myself. 949 00:54:27,708 --> 00:54:29,291 And to lie to him too. 950 00:54:31,083 --> 00:54:33,833 Since we have been here, I say to myself that as soon as it works, 951 00:54:34,000 --> 00:54:35,625 I bring her with my daughter. 952 00:54:38,166 --> 00:54:40,166 But I'm just pushing back the deadline. 953 00:54:42,958 --> 00:54:45,041 - Hey. - It's nice of you to accompany us. 954 00:54:45,208 --> 00:54:48,291 I wouldn't have let you go to the airport by taxi. 955 00:54:48,458 --> 00:54:50,250 How soon will you be back? 956 00:54:50,416 --> 00:54:52,666 Three weeks, maybe a month. 957 00:54:53,291 --> 00:54:55,291 The bride and groom! 958 00:54:55,458 --> 00:54:56,875 - Wow ! - THANKS. 959 00:54:57,041 --> 00:55:00,750 Don't be silly. There, you say yes, then you come back. 960 00:55:01,041 --> 00:55:03,708 Everyone in the tank, we're going to be late. 961 00:55:07,375 --> 00:55:09,208 Charles! 962 00:55:09,750 --> 00:55:10,750 Dear ! 963 00:55:12,250 --> 00:55:14,000 - Dad. - My son. 964 00:55:14,166 --> 00:55:15,291 I'm happy. 965 00:55:15,750 --> 00:55:17,625 And you, my little girl, eh? 966 00:55:17,791 --> 00:55:19,916 Make daddy a patchik. Make a patchik. 967 00:55:21,875 --> 00:55:23,083 You learned to dress yourself. 968 00:55:23,875 --> 00:55:25,958 - That's it, are you starting? - Well yes. 969 00:55:26,125 --> 00:55:27,583 Are you going to come back and live here? 970 00:55:27,750 --> 00:55:29,110 I don't know, we're good there. 971 00:55:29,666 --> 00:55:33,250 Aida, you could sing there. Quebecers will love you. 972 00:55:39,708 --> 00:55:41,666 I told you that it was bullshit. 973 00:55:42,625 --> 00:55:44,250 We are so out of sync. 974 00:55:44,416 --> 00:55:46,375 Between her here and success in Montreal... 975 00:55:46,666 --> 00:55:49,375 How? Success? What success? 976 00:55:49,541 --> 00:55:51,875 - It works pretty well. - And that's enough for you, 977 00:55:52,041 --> 00:55:55,041 to have your little success in a cabaret at the end of the world? 978 00:55:55,208 --> 00:55:57,083 Are you thinking about what's next? 979 00:55:57,250 --> 00:55:59,000 Honestly, my stupid little genius, 980 00:55:59,166 --> 00:56:01,958 you have talent, but you don't know how to have a career. 981 00:56:02,125 --> 00:56:04,958 Listen to your big sister. This is what you're going to do. 982 00:56:05,125 --> 00:56:07,500 For success, you have to have a good face. 983 00:56:07,666 --> 00:56:11,875 If you want to sing about love, it would be time to get your face redone. 984 00:56:12,041 --> 00:56:14,416 I know a specialist. He works miracles. 985 00:56:14,583 --> 00:56:16,166 I'm offering you the operation. 986 00:56:16,625 --> 00:56:19,875 You are going to take your most beautiful handwriting and write three letters. 987 00:56:21,625 --> 00:56:23,791 The first one, you are going to address it with Golden Pheasant 988 00:56:23,958 --> 00:56:25,500 to tell them you're not coming back. 989 00:56:25,666 --> 00:56:27,375 This job takes place in Paris. 990 00:56:27,916 --> 00:56:29,666 Edmond is going to kill us, he's waiting for us. 991 00:56:29,833 --> 00:56:32,958 Why bury yourself in Montreal? There are four poor places. 992 00:56:33,625 --> 00:56:36,958 A French artist must first have success in France. 993 00:56:37,125 --> 00:56:38,125 It takes place in Paris. 994 00:56:38,708 --> 00:56:41,625 You have to sing your songs in front of the French public. 995 00:56:42,583 --> 00:56:48,541 From now on, we won't be seen together again 996 00:56:50,208 --> 00:56:56,000 From now on my heart will live under the rubble 997 00:56:56,458 --> 00:56:57,833 Damn French people. 998 00:56:58,375 --> 00:56:59,125 After, 999 00:56:59,291 --> 00:57:01,625 you are going to write to the little one to leave her. 1000 00:57:01,791 --> 00:57:02,958 You're no longer in love. 1001 00:57:03,125 --> 00:57:05,791 Since when can we succeed? while being married? 1002 00:57:05,958 --> 00:57:11,541 From now on, my voice will no longer say "I love you" 1003 00:57:11,708 --> 00:57:13,375 I will always be there, Micheline. 1004 00:57:13,541 --> 00:57:15,333 I'll find you a place to live. 1005 00:57:15,500 --> 00:57:18,666 Seda will also be able to continue living at my parents' house. 1006 00:57:19,583 --> 00:57:23,291 I will be a shadow of myself 1007 00:57:23,458 --> 00:57:26,208 My hand from your separated hand 1008 00:57:26,375 --> 00:57:27,750 The 3rd letter, you are going to write it 1009 00:57:27,916 --> 00:57:29,916 to warn your little friend Pierre 1010 00:57:30,375 --> 00:57:32,250 It's over, you stay here. 1011 00:57:32,416 --> 00:57:35,666 Pierre has just got married. He will never want to stay in Paris. 1012 00:57:35,833 --> 00:57:37,500 Fine, you don't need him. 1013 00:57:38,500 --> 00:57:39,166 A man, 1014 00:57:39,333 --> 00:57:41,750 a real one, leads a solo career. 1015 00:57:43,125 --> 00:57:49,291 Never again we will not experience the same fear 1016 00:57:49,458 --> 00:57:54,125 To see our happiness slip away 1017 00:57:54,416 --> 00:57:57,625 And the rest, now 1018 00:57:58,458 --> 00:58:01,083 - Do you understand what that means? - Yes. 1019 00:58:01,500 --> 00:58:05,250 But I'm ready to start again from scratch, to work twice as hard. 1020 00:58:05,416 --> 00:58:06,708 I'm talking to you about myself! 1021 00:58:06,875 --> 00:58:09,166 For once, Can we not talk about you? 1022 00:58:09,333 --> 00:58:11,708 Of your desires, of your ambitions? 1023 00:58:12,583 --> 00:58:14,166 You wrote to Edmond without warning. 1024 00:58:14,333 --> 00:58:16,833 - Do you really think he's going to keep me? - Sorry, 1025 00:58:17,000 --> 00:58:19,833 but I returned the question in every direction. 1026 00:58:21,041 --> 00:58:22,416 I don't want it anymore. 1027 00:58:23,583 --> 00:58:25,041 I don't have to force myself. 1028 00:58:25,375 --> 00:58:27,208 Of course I thought of you. 1029 00:58:27,375 --> 00:58:30,833 It's hard to imagine what happens next without you. Only, you're married. 1030 00:58:31,708 --> 00:58:33,083 Your life is over there. 1031 00:58:33,375 --> 00:58:34,750 It’s a game changer. 1032 00:58:35,333 --> 00:58:37,458 I just know I want to write. 1033 00:58:37,625 --> 00:58:41,250 And to write my songs, I need the streams of Paris. 1034 00:58:41,416 --> 00:58:42,875 But you see, you again! 1035 00:58:43,250 --> 00:58:45,166 Your career, your songs! 1036 00:58:45,333 --> 00:58:49,458 You were often right, but here, I think you are wrong. 1037 00:58:49,625 --> 00:58:51,166 We have everything we want in Montreal. 1038 00:58:52,000 --> 00:58:55,750 No, maybe not you, because sir is never satisfied. 1039 00:58:56,416 --> 00:58:59,458 But your ambitions will end by making you lose everything. 1040 00:58:59,625 --> 00:59:01,416 Me, your wife, your daughter, everything! 1041 00:59:01,583 --> 00:59:02,583 It's thanks 1042 00:59:02,708 --> 00:59:06,083 that's why you have a big apartment and found your wife. 1043 00:59:06,250 --> 00:59:07,500 So yes, I have ambitions. 1044 00:59:07,833 --> 00:59:09,166 Yes, we don't have the same ones. 1045 00:59:18,416 --> 00:59:19,791 Should I apologize for this? 1046 00:59:23,958 --> 00:59:25,000 Peter... 1047 01:00:01,833 --> 01:00:04,375 And the suitcase, Am I going to carry it? 1048 01:00:04,541 --> 01:00:05,666 Sorry, Edith. 1049 01:00:11,291 --> 01:00:14,375 I'm sorry, I won't be able to come with you in Bordeaux. 1050 01:00:15,125 --> 01:00:18,875 Le Paradis Latin asked me to play. It's a nice contract. 1051 01:00:19,291 --> 01:00:22,583 Do you prefer Paradis Latin? to raise my curtain? 1052 01:00:22,750 --> 01:00:26,083 - But no, that's not it at all... - I'm joking. 1053 01:00:26,916 --> 01:00:30,708 Go sing with your stupid dancers. That'll be one belly less. 1054 01:00:32,083 --> 01:00:33,291 Huh, my stupid little genius? 1055 01:00:40,541 --> 01:00:42,250 - You know what? - No. 1056 01:00:42,416 --> 01:00:45,041 The more I look at you, the more I prefer your old joke. 1057 01:00:45,750 --> 01:00:46,875 Yes ? 1058 01:00:47,041 --> 01:00:48,583 No. 1059 01:00:52,500 --> 01:00:54,041 That's my song. 1060 01:00:54,666 --> 01:00:56,000 It was I who wrote to him. 1061 01:00:56,833 --> 01:00:57,958 Ah good ? 1062 01:00:58,125 --> 01:01:00,041 Why didn't you offer it to me? 1063 01:01:00,208 --> 01:01:02,166 Yes, in fact, I suggested it to you. 1064 01:01:02,333 --> 01:01:03,583 And what did I say? 1065 01:01:04,125 --> 01:01:07,708 That she had nothing and that I could fuck me wherever I think. 1066 01:01:08,041 --> 01:01:09,750 - Did I say that? - Yes. 1067 01:01:09,916 --> 01:01:12,375 It's weird, it's not my type. 1068 01:01:15,375 --> 01:01:19,166 Happiness is in your arms of a colored boy 1069 01:01:19,333 --> 01:01:21,583 Because he goes and breaks her heart 1070 01:01:21,750 --> 01:01:23,458 It’s okay, we want the Kid! 1071 01:01:24,958 --> 01:01:26,250 Hands him his ticket 1072 01:01:26,750 --> 01:01:29,083 He said: “Honey, I’m going to miss you.” 1073 01:01:30,458 --> 01:01:33,958 But what... but what is it? 1074 01:01:34,125 --> 01:01:37,500 An everyday story 1075 01:01:37,666 --> 01:01:40,833 But what... but what is it? 1076 01:01:41,375 --> 01:01:43,500 Maybe the end of a love 1077 01:01:47,416 --> 01:01:50,041 - Are you finished, Joséphine? - Yes. 1078 01:01:50,208 --> 01:01:52,166 - Hello, Charles. - Hello, Françoise. 1079 01:01:53,125 --> 01:01:55,000 I'm in the car. Shall we have a drink? 1080 01:01:55,166 --> 01:01:57,416 How long have you had a car? 1081 01:01:57,583 --> 01:01:58,666 Come on, follow me. 1082 01:01:59,208 --> 01:02:00,333 Wait for me. 1083 01:02:07,791 --> 01:02:10,250 That's your evenings, when you leave the cabaret? 1084 01:02:11,000 --> 01:02:12,958 I can't believe it that you live with Piaf. 1085 01:02:13,125 --> 01:02:15,333 - Han! - Are you going well, my little genius? 1086 01:02:15,500 --> 01:02:16,500 Alright. 1087 01:02:16,583 --> 01:02:18,458 Joséphine, Edith. 1088 01:02:18,625 --> 01:02:19,625 She is drunk, 1089 01:02:19,791 --> 01:02:21,083 the pepee. 1090 01:02:21,250 --> 01:02:23,958 Gilbert, you probably already know Charles Aznavour. 1091 01:02:24,125 --> 01:02:26,458 That’s Gilbert Bécaud, a good little author. 1092 01:02:26,625 --> 01:02:28,375 - Charles. - Nice to meet you, Gilbert. 1093 01:02:28,541 --> 01:02:32,208 HOW TO NOT LOSE YOUR HEAD 1094 01:02:32,500 --> 01:02:36,166 CLAMPED BY BOLD ARMS 1095 01:02:36,708 --> 01:02:39,833 Recently, something clicked for me. I wrote "On my life", 1096 01:02:40,000 --> 01:02:42,291 - where I talk about myself. - Is that the secret? 1097 01:02:42,458 --> 01:02:46,541 I don't know, but it seems to me important to say “I” and “you”. 1098 01:02:47,000 --> 01:02:49,375 When we say "you", it takes you away. 1099 01:02:50,541 --> 01:02:53,958 We have to write every song as if it had happened to us. 1100 01:02:54,250 --> 01:02:56,875 Even if it's not true. 1101 01:02:58,333 --> 01:03:00,666 You have to be a singer. 1102 01:03:00,833 --> 01:03:02,916 Piaf is a singer. 1103 01:03:03,083 --> 01:03:04,458 Then, for the rest, 1104 01:03:04,791 --> 01:03:06,125 it's just work. 1105 01:03:06,291 --> 01:03:07,916 Put the right word in the right place. 1106 01:03:08,083 --> 01:03:09,916 Each word has its own rhythm. 1107 01:03:10,083 --> 01:03:12,000 Charles, I sang with Piaf. 1108 01:03:12,166 --> 01:03:13,875 Well there you go. 1109 01:03:14,041 --> 01:03:16,333 I like her. It's my favorite. 1110 01:03:17,291 --> 01:03:19,708 - What are the little geniuses talking about? - I told him 1111 01:03:19,875 --> 01:03:21,458 how much I love his work. 1112 01:03:21,625 --> 01:03:23,458 Well, he's a good author. 1113 01:03:23,625 --> 01:03:26,250 But he wants to sing, and on stage, it's not... 1114 01:03:26,750 --> 01:03:28,541 fun, eh? 1115 01:03:28,708 --> 01:03:30,666 I'll take them from you, your two songs. 1116 01:03:33,708 --> 01:03:34,958 - Well done. - I don't feel well. 1117 01:03:35,416 --> 01:03:36,416 My head is spinning. 1118 01:03:36,750 --> 01:03:37,750 I'll come back. 1119 01:04:03,750 --> 01:04:05,041 Are you going to stay long? 1120 01:04:15,125 --> 01:04:16,416 What do parents say? 1121 01:04:16,583 --> 01:04:19,125 For now, nothing. I didn't present it to them. 1122 01:04:19,291 --> 01:04:21,291 They will be happy. He is Armenian. 1123 01:04:21,458 --> 01:04:22,875 Georges Garvarentz. 1124 01:04:23,041 --> 01:04:24,458 He's a great composer. 1125 01:04:25,250 --> 01:04:26,500 Does he earn his living? 1126 01:04:27,833 --> 01:04:30,083 - He's talented. - Gifted, that's not enough. 1127 01:04:30,250 --> 01:04:32,041 Stop being a big brother. 1128 01:04:32,208 --> 01:04:33,875 I know you will love it. 1129 01:04:34,666 --> 01:04:36,083 Okay, tell me what's wrong? 1130 01:04:36,791 --> 01:04:37,958 You have a bad face. 1131 01:04:38,875 --> 01:04:40,416 It's okay, I'm hanging in there. 1132 01:04:42,250 --> 01:04:44,958 I need to work more, which I repeat more. 1133 01:04:45,125 --> 01:04:47,166 You act as the driver for the other tyrant. 1134 01:04:47,583 --> 01:04:48,958 - Stop. - It's true. 1135 01:04:49,125 --> 01:04:51,291 I don't understand why you accept. 1136 01:04:51,458 --> 01:04:53,458 It's not easy every day, but... 1137 01:04:54,500 --> 01:04:56,250 But I learn a lot alongside him. 1138 01:04:56,416 --> 01:04:57,958 Then it’s Édith Piaf, all the same. 1139 01:04:58,875 --> 01:05:00,000 You are Charles Aznavour. 1140 01:05:03,791 --> 01:05:05,416 What are you afraid of, exactly? 1141 01:05:07,666 --> 01:05:09,041 That's not you, Charles. 1142 01:05:14,208 --> 01:05:20,416 Jezebel 1143 01:05:21,500 --> 01:05:25,041 This demon that burned my heart 1144 01:05:25,208 --> 01:05:28,708 This angel who dried my tears 1145 01:05:28,875 --> 01:05:31,458 It was me... It wasn't me, it was you 1146 01:05:34,791 --> 01:05:37,750 You don't find Is it a little high for me? 1147 01:05:37,916 --> 01:05:39,875 No, that’s exactly what’s beautiful. 1148 01:05:40,041 --> 01:05:42,583 - That you have to push. - Yes ? 1149 01:05:42,750 --> 01:05:44,583 Don't hesitate to attack him hard. 1150 01:05:44,875 --> 01:05:46,708 Strong... 1151 01:05:46,875 --> 01:05:48,541 He gives directions in Italian, 1152 01:05:48,708 --> 01:05:50,041 my little genius? 1153 01:05:50,208 --> 01:05:52,666 Not easy to sing, but it will be good. 1154 01:05:54,333 --> 01:05:55,708 I already told you, 1155 01:05:55,875 --> 01:05:57,833 Don't do a funny ditty. 1156 01:05:58,958 --> 01:06:01,541 You should concentrate on your work as an author. 1157 01:06:02,166 --> 01:06:06,500 You're not tired of beating yourself up in the first part? Or to sing 1158 01:06:06,666 --> 01:06:09,291 between two strippers? Move on. 1159 01:06:09,458 --> 01:06:12,250 You said that if I were a man, a real one, 1160 01:06:12,416 --> 01:06:15,333 I had to come back to be successful in France. 1161 01:06:15,500 --> 01:06:18,541 And you can very well be successful as an author. 1162 01:06:18,708 --> 01:06:20,333 You weren't talking about that. 1163 01:06:20,500 --> 01:06:21,958 You were talking about being a singer. 1164 01:06:22,416 --> 01:06:25,291 Yes, but to be a singer, you need a voice. 1165 01:06:25,458 --> 01:06:27,166 And your voice is veiled. 1166 01:06:27,333 --> 01:06:28,791 Don't bother me, let's get back to it. 1167 01:06:34,583 --> 01:06:35,583 No. 1168 01:06:38,791 --> 01:06:39,833 I have to go. 1169 01:06:41,833 --> 01:06:43,958 I sing between two strippers. 1170 01:06:44,125 --> 01:06:46,000 He is upset. Come on, we have work to do! 1171 01:06:46,166 --> 01:06:48,000 - I have work too. - It's what ? 1172 01:06:48,166 --> 01:06:50,875 To try to be a singer, right? 1173 01:06:51,041 --> 01:06:52,375 Exactly, yes. 1174 01:06:52,666 --> 01:06:55,041 Besides, it's been a while that I think about it. 1175 01:06:55,208 --> 01:06:57,041 Among everything I learned by your side, 1176 01:06:57,208 --> 01:06:59,166 if there is one thing I understood, 1177 01:06:59,333 --> 01:07:01,375 it’s that there’s only work who pays. 1178 01:07:01,541 --> 01:07:02,875 It's time to get started. 1179 01:07:03,041 --> 01:07:06,750 To devote myself to my songs, to my singing career. 1180 01:07:06,916 --> 01:07:08,166 Because yes, 1181 01:07:08,750 --> 01:07:10,875 whether you want it or not, I am a singer. 1182 01:07:12,541 --> 01:07:15,166 And what I do for you, day, night, 1183 01:07:15,333 --> 01:07:16,833 it takes up all my time. 1184 01:07:17,791 --> 01:07:19,333 It's no longer possible, Edith. 1185 01:07:20,875 --> 01:07:22,041 I can't do it anymore. 1186 01:07:27,541 --> 01:07:28,666 I stop. 1187 01:07:33,916 --> 01:07:36,958 Without lying, it makes me weird to hear you say that. 1188 01:07:39,500 --> 01:07:40,541 It's what ? 1189 01:07:41,458 --> 01:07:43,458 Are you abandoning your big sister from the street? 1190 01:07:45,041 --> 01:07:46,875 Do you think you need me anymore? 1191 01:07:47,750 --> 01:07:49,041 I have no choice. 1192 01:07:50,583 --> 01:07:52,541 I have to think about myself now. 1193 01:07:55,500 --> 01:07:57,208 Well, that’s to your credit. 1194 01:07:57,375 --> 01:07:59,000 It takes courage, I say. 1195 01:07:59,166 --> 01:08:02,000 I don't like undecided people. If you leave, you leave. 1196 01:08:04,083 --> 01:08:06,500 Then a lot of doors will close. 1197 01:08:06,666 --> 01:08:09,791 You risk feeling alone, if you're no longer under my wing. 1198 01:08:15,250 --> 01:08:16,583 Thanks for everything, Edith. 1199 01:08:20,208 --> 01:08:22,291 Okay, get out of here. I don't like goodbyes. 1200 01:08:53,250 --> 01:08:54,416 I'm coming. 1201 01:09:02,250 --> 01:09:04,416 - Charles. - Raoul. How are you ? 1202 01:09:04,791 --> 01:09:07,416 According to people, she fired you because she didn't believe 1203 01:09:07,583 --> 01:09:09,166 - in your talent. - They say that? 1204 01:09:09,333 --> 01:09:10,493 And without it, you are put to death 1205 01:09:10,625 --> 01:09:12,750 - in the public square. - I'll show them. 1206 01:09:14,625 --> 01:09:16,041 My new manager. 1207 01:09:16,583 --> 01:09:18,083 You'll see, you'll like it. 1208 01:09:19,708 --> 01:09:21,125 - Hello, Charles. - Come in. 1209 01:09:21,291 --> 01:09:23,375 No, Jean-Louis Marquet! 1210 01:09:24,000 --> 01:09:26,500 I thought about it carefully. What is Charles Aznavour? 1211 01:09:27,416 --> 01:09:30,916 He's a scrawny 1.64 meter tall guy, with a veiled voice. 1212 01:09:31,583 --> 01:09:33,625 My size, I can't do anything about it. 1213 01:09:33,791 --> 01:09:35,666 I have to accept it to make her forget. 1214 01:09:35,833 --> 01:09:37,208 Then, my voice. 1215 01:09:37,375 --> 01:09:39,708 I won't be able to transform it, but work it 1216 01:09:39,875 --> 01:09:42,375 to increase my range a little. Believe me, 1217 01:09:42,916 --> 01:09:44,208 I stick to it every day. 1218 01:09:44,375 --> 01:09:46,208 And I know I miss it sorely 1219 01:09:46,375 --> 01:09:47,541 of culture. 1220 01:09:47,791 --> 01:09:50,833 To write, respond to journalists, I have to read. 1221 01:09:51,000 --> 01:09:55,166 Raoul, make me a list great classics of literature. 1222 01:09:55,333 --> 01:09:58,083 We have to pass at higher speed. 1223 01:10:00,458 --> 01:10:02,250 I want to make my own record. 1224 01:10:02,416 --> 01:10:03,875 My face and my name on the cover. 1225 01:10:04,291 --> 01:10:05,875 Let it come out as quickly as possible. 1226 01:10:06,041 --> 01:10:08,125 I wasted too much time. Shall we start again? 1227 01:10:19,083 --> 01:10:21,833 Everything goes away, everything dies 1228 01:10:22,000 --> 01:10:24,750 I feel that fear is settling in me 1229 01:10:25,375 --> 01:10:28,083 I can already hear the wind rising 1230 01:10:28,250 --> 01:10:30,333 To chase my dreams 1231 01:10:32,833 --> 01:10:35,750 Everything goes away, everything dies 1232 01:10:36,083 --> 01:10:39,125 But spring returns victorious 1233 01:10:39,416 --> 01:10:42,166 Arms full of dreams and tears 1234 01:10:42,333 --> 01:10:44,000 And dry our tears 1235 01:10:44,166 --> 01:10:45,541 And sow in our hearts 1236 01:10:45,708 --> 01:10:48,291 These grains of madness 1237 01:10:49,166 --> 01:10:51,375 This is how life goes 1238 01:10:55,291 --> 01:10:56,708 It's funny, though. 1239 01:10:56,875 --> 01:10:58,666 It's okay, did all the radio stations receive it? 1240 01:10:58,833 --> 01:10:59,958 Yes yes. 1241 01:11:00,125 --> 01:11:01,958 Does it react well? 1242 01:11:02,125 --> 01:11:05,541 Not really. For now, They don't want to spend it too much. 1243 01:11:06,041 --> 01:11:09,750 There's this idiot Vital, the boss of RTL, who stole a song from you. 1244 01:11:09,916 --> 01:11:12,333 - How so ? - He is a film producer. 1245 01:11:13,083 --> 01:11:16,041 In his latest film, he uses your song “Because”. 1246 01:11:16,208 --> 01:11:19,000 Without asking permission, without paying duties. 1247 01:11:19,166 --> 01:11:21,541 - He doesn't bother. - This is a huge mistake 1248 01:11:21,708 --> 01:11:24,208 professional, and good news for us. 1249 01:11:25,166 --> 01:11:26,958 He is in no position to negotiate. 1250 01:11:27,125 --> 01:11:31,250 His film comes out in a week. The reels are ready to go. 1251 01:11:31,416 --> 01:11:34,625 Might as well tell you that we can impose on him the price that we will decide. 1252 01:11:36,291 --> 01:11:38,041 I think I have a better idea. 1253 01:11:46,333 --> 01:11:47,333 Charles? 1254 01:11:47,500 --> 01:11:48,541 Charles! 1255 01:11:48,708 --> 01:11:49,708 Yes, I'm here. 1256 01:11:49,833 --> 01:11:51,916 You could work with Georges. 1257 01:11:52,083 --> 01:11:54,375 Why not, we just have to talk to each other... 1258 01:11:57,916 --> 01:12:00,000 - Do you hear? - Is that you, dad? 1259 01:12:00,166 --> 01:12:01,166 And how! 1260 01:12:01,291 --> 01:12:02,791 - Are you on the radio? - Yes. 1261 01:12:02,958 --> 01:12:03,958 Amazing ! 1262 01:12:04,291 --> 01:12:05,833 They finally understood. 1263 01:12:06,000 --> 01:12:08,375 The boss of RTL didn't have much of a choice. 1264 01:12:11,541 --> 01:12:13,458 Well done, my son. Well done ! 1265 01:12:18,833 --> 01:12:22,625 You never know How love comes to lovers 1266 01:12:23,083 --> 01:12:25,458 How he does it or goes about it 1267 01:12:25,625 --> 01:12:27,500 To hold us in his nets 1268 01:12:27,666 --> 01:12:30,166 But suddenly it's wonderful 1269 01:12:30,500 --> 01:12:32,750 There are tears full of our joys 1270 01:12:32,916 --> 01:12:35,458 Caresses at our fingertips 1271 01:12:35,625 --> 01:12:38,500 And dreams deep in our eyes 1272 01:12:39,375 --> 01:12:40,625 You never know 1273 01:12:40,791 --> 01:12:43,166 But why seek to know 1274 01:12:43,333 --> 01:12:46,166 No one has ever had this power We forget everything... 1275 01:12:46,916 --> 01:12:49,083 Turn it off. It's horrible. 1276 01:12:49,250 --> 01:12:50,250 How so ? 1277 01:12:51,000 --> 01:12:52,208 I'm horrible. 1278 01:12:52,375 --> 01:12:54,333 I make unnecessary gestures. 1279 01:12:54,500 --> 01:12:56,208 I look everywhere like an idiot. 1280 01:12:56,375 --> 01:12:58,458 Who sings with their hands in their pockets? 1281 01:12:58,625 --> 01:13:00,833 Suit too big. The hair doesn't look good. 1282 01:13:01,000 --> 01:13:03,916 Don't waste your first TV for some criticism. 1283 01:13:04,083 --> 01:13:05,541 Some criticisms? 1284 01:13:05,708 --> 01:13:08,416 One speaks in my hoarse muezzin voice, 1285 01:13:08,583 --> 01:13:10,708 the other compares my stamp to a pepper mill... 1286 01:13:13,416 --> 01:13:16,833 "A small-time crook, to the dimensions of its size. 1287 01:13:17,708 --> 01:13:21,750 "His cave voice is not compensated by the beauty of the gesture." 1288 01:13:22,125 --> 01:13:24,375 - They're racists. - Charles, you're exaggerating. 1289 01:13:24,541 --> 01:13:25,625 Am I exaggerating? 1290 01:13:26,375 --> 01:13:27,083 Wait. 1291 01:13:27,375 --> 01:13:28,416 I'm exaggerating... 1292 01:13:28,583 --> 01:13:29,625 There. 1293 01:13:30,583 --> 01:13:32,375 “This Armenian is not edible. 1294 01:13:32,541 --> 01:13:35,750 "An Armenian, it has a reputation for knowing how to count. 1295 01:13:35,916 --> 01:13:37,500 “Let him do accounting.” 1296 01:13:38,583 --> 01:13:41,166 - Isn't that racism? - It's meanness. 1297 01:13:41,333 --> 01:13:42,583 This is stupidity. 1298 01:13:42,750 --> 01:13:44,916 But you're starting to have an audience. 1299 01:13:45,083 --> 01:13:46,833 I'm going to go see the public. 1300 01:13:47,000 --> 01:13:47,708 Jean-Louis, 1301 01:13:47,875 --> 01:13:50,333 you're going to book me a large room in Paris. 1302 01:13:50,500 --> 01:13:52,541 We're going to invite everyone, 1303 01:13:52,833 --> 01:13:54,625 all the elite, the journalists... 1304 01:13:55,041 --> 01:13:56,833 Even them there. Especially them. 1305 01:13:57,833 --> 01:14:00,791 But first, I'll take a tour throughout France. 1306 01:14:01,208 --> 01:14:02,291 With ten musicians. 1307 01:14:02,458 --> 01:14:05,625 We don't have what to pay a tour with an orchestra. 1308 01:14:05,791 --> 01:14:07,583 I will finance it with my own money. 1309 01:14:07,750 --> 01:14:10,541 Calm down. For once you have a little side. 1310 01:14:10,708 --> 01:14:13,208 Don't go on tour which may not work. 1311 01:14:13,375 --> 01:14:14,833 And why wouldn't it work? 1312 01:14:15,000 --> 01:14:16,916 - For what ? - Well... 1313 01:14:17,083 --> 01:14:18,208 Raoul? 1314 01:14:18,750 --> 01:14:21,625 - It's a bit risky, he's not wrong. - Exactly ! 1315 01:14:22,083 --> 01:14:23,375 We've already talked about it. 1316 01:14:23,541 --> 01:14:25,875 You have to take risks Otherwise, we're dead. 1317 01:14:26,041 --> 01:14:28,083 You can take some without betting everything. 1318 01:14:28,666 --> 01:14:31,250 - It's exciting, but it's crazy. - Madness? 1319 01:14:31,416 --> 01:14:33,416 But damn! Even you, are you letting go of me? 1320 01:14:33,583 --> 01:14:35,375 - You don't believe in me? - NO, NO! 1321 01:14:35,541 --> 01:14:37,333 If ! I will prove it to you all. 1322 01:14:37,500 --> 01:14:39,541 You, the public, the journalists... 1323 01:14:39,708 --> 01:14:40,708 Everyone! 1324 01:14:40,791 --> 01:14:44,666 I'm going to put on a new show. And I will do this tour. 1325 01:14:45,000 --> 01:14:47,083 I will convince every spectator 1326 01:14:47,250 --> 01:14:48,958 in each room. From now on, 1327 01:14:49,125 --> 01:14:50,875 I will write a song a day. 1328 01:14:51,041 --> 01:14:53,041 I will sing to the point of tearing my glottis. 1329 01:14:55,708 --> 01:14:58,166 I'll show them that I am not insignificant. 1330 01:14:58,333 --> 01:15:00,666 They haven't finished to hear about Aznavour. 1331 01:15:49,666 --> 01:15:52,250 It's horrible, Jean-Louis. There's not a sound. 1332 01:15:53,166 --> 01:15:56,166 - It's hell. - It'll be OK ! Stay focused. 1333 01:15:56,333 --> 01:15:58,083 Huh, Charles? Breath. 1334 01:15:58,250 --> 01:16:00,500 - It's terrible. - But no, it's very good. 1335 01:16:00,666 --> 01:16:01,958 Come on ! 1336 01:16:04,250 --> 01:16:07,583 - Can I help you carry your suitcase? - No, it'll be fine. THANKS. 1337 01:16:39,500 --> 01:16:41,208 On my life 1338 01:16:41,666 --> 01:16:43,958 I swore to you one day 1339 01:16:44,125 --> 01:16:49,750 To love you until the last day of my days 1340 01:16:50,083 --> 01:16:53,208 And even now 1341 01:16:53,375 --> 01:16:56,083 I will keep an oath 1342 01:16:56,500 --> 01:17:02,291 Despite all the harm you've done to me 1343 01:17:02,458 --> 01:17:06,250 On my life, darling 1344 01:17:06,750 --> 01:17:13,541 I will love you 1345 01:17:26,916 --> 01:17:29,125 I think I presumed on my strength. 1346 01:17:29,291 --> 01:17:30,833 I saw myself too big. 1347 01:17:31,458 --> 01:17:34,041 The truth is that no one waiting for me in the provinces. 1348 01:17:34,208 --> 01:17:36,625 - Then I lose a lot of money. - Really ? 1349 01:17:37,333 --> 01:17:39,208 It's simple, I'm ruined. 1350 01:17:39,625 --> 01:17:42,166 I have to sell my car for posters. 1351 01:17:44,625 --> 01:17:47,958 You still have Paris. The concerts Next month, is it full? 1352 01:17:48,125 --> 01:17:49,125 Paris ? 1353 01:17:49,458 --> 01:17:52,833 We took a week at the Alhambra. That the first evening is full. 1354 01:17:53,208 --> 01:17:55,000 I'd better stop it all. 1355 01:17:55,166 --> 01:17:57,500 No, wait, what are you talking about? 1356 01:17:57,666 --> 01:18:00,041 I've never heard you talk like that. 1357 01:18:00,208 --> 01:18:01,791 It'll be fine, I'm sure. 1358 01:18:01,958 --> 01:18:03,250 We'll see. 1359 01:18:05,666 --> 01:18:08,083 - So. See you soon, sister. - Wait! 1360 01:18:08,250 --> 01:18:10,541 Parents gave me a letter for you. 1361 01:18:11,750 --> 01:18:13,833 It comes from an Arlette. Does this speak to you? 1362 01:18:14,000 --> 01:18:16,458 it's been a long time. 1363 01:18:17,458 --> 01:18:19,375 - Read me the letter. - Yes. 1364 01:18:24,166 --> 01:18:25,291 "Dear Charles, 1365 01:18:26,458 --> 01:18:29,791 "this letter is not easy to write. I will be direct. 1366 01:18:29,958 --> 01:18:31,250 “You have a son. 1367 01:18:33,166 --> 01:18:34,666 “His name is Patrick. 1368 01:18:35,416 --> 01:18:36,708 “He’s eight years old. 1369 01:18:37,875 --> 01:18:42,000 "When I found out, I came to meet someone in the provinces. 1370 01:18:42,166 --> 01:18:44,250 "I found it better not to talk to you about it. 1371 01:18:44,416 --> 01:18:47,791 "But I left this man, became an alcoholic and violent 1372 01:18:47,958 --> 01:18:49,625 “towards me and Patrick. 1373 01:18:49,791 --> 01:18:51,166 “I have few resources. 1374 01:18:51,458 --> 01:18:52,875 "Patrick needs a father 1375 01:18:53,041 --> 01:18:55,125 “Can I introduce him to you quickly?” 1376 01:18:56,125 --> 01:18:58,750 At the bottom of the letter, she left a number. 1377 01:19:02,166 --> 01:19:05,291 -Charles... - That's a lot. I'll call you back. 1378 01:19:53,500 --> 01:19:55,750 "Nasty voice and lack of vocal power. 1379 01:19:55,916 --> 01:19:59,500 "His claim to present himself in front of an audience is inconceivable. 1380 01:19:59,666 --> 01:20:00,875 “How completely unconscious.” 1381 01:20:01,041 --> 01:20:03,083 No, why are you reading this, Charles? 1382 01:20:03,250 --> 01:20:06,375 And this: “We got the scoop of an apparition 1383 01:20:06,541 --> 01:20:10,416 "which brought us back to imagery monstrous, in the century of Quasimodo. 1384 01:20:10,583 --> 01:20:13,083 "How can we let a cripple sing?” 1385 01:20:13,250 --> 01:20:16,458 - A cripple... - Ignore all that. They're idiots. 1386 01:20:16,625 --> 01:20:17,250 Here we go. 1387 01:20:17,416 --> 01:20:18,958 We start in five minutes. 1388 01:20:54,166 --> 01:20:56,041 Tonight I live or die. 1389 01:21:07,625 --> 01:21:11,208 At 18, I left my province 1390 01:21:11,375 --> 01:21:14,583 Determined to grab hold of life 1391 01:21:15,208 --> 01:21:18,625 Light hearted and thin baggage 1392 01:21:18,791 --> 01:21:22,125 I was sure of conquering Paris 1393 01:21:22,916 --> 01:21:26,458 At the most chic tailor, I had it done 1394 01:21:26,625 --> 01:21:30,083 This blue suit was state-of-the-art 1395 01:21:30,833 --> 01:21:34,416 The photos, the songs and the orchestrations 1396 01:21:34,583 --> 01:21:37,666 Got rid of my savings 1397 01:21:38,583 --> 01:21:41,875 I already saw myself at the top of the poster 1398 01:21:42,375 --> 01:21:45,583 Ten times bigger than anyone, my name was spread 1399 01:21:46,250 --> 01:21:49,750 I already saw myself adored and rich 1400 01:21:50,166 --> 01:21:53,541 Signing my photos to admirers who were jostling 1401 01:21:54,125 --> 01:21:57,750 I was the greatest great fantasists 1402 01:21:57,916 --> 01:22:01,583 Making such a big success that people cheered me standing 1403 01:22:01,750 --> 01:22:05,541 I already saw myself searching my list 1404 01:22:05,708 --> 01:22:09,375 The one who in the evening could by favor hang on my neck 1405 01:22:09,541 --> 01:22:13,333 My features have aged, of course, under my makeup 1406 01:22:13,500 --> 01:22:17,166 But the voice is there, the gesture is precise and I have resilience 1407 01:22:17,333 --> 01:22:21,083 My heart got a little sour as you get older 1408 01:22:21,250 --> 01:22:24,916 But I have ideas, I know my job, I still believe in it 1409 01:22:25,083 --> 01:22:28,791 Just under my feet to feel the scene 1410 01:22:28,958 --> 01:22:32,625 To see a seated audience in front of me, my heart is beating 1411 01:22:32,791 --> 01:22:36,291 They didn't help me, I didn't have any luck 1412 01:22:36,583 --> 01:22:40,166 But deep inside me, I'm sure at least I have talent 1413 01:22:42,541 --> 01:22:46,208 My blue suit, I've been wearing it for thirty years 1414 01:22:46,375 --> 01:22:50,125 And my songs only make me laugh 1415 01:22:50,291 --> 01:22:54,000 I run the stamp, I go door to door 1416 01:22:54,166 --> 01:22:57,166 To survive, I do anything 1417 01:22:58,083 --> 01:23:01,666 I only had easy successes 1418 01:23:01,833 --> 01:23:05,166 Night trains and girls to soldiers 1419 01:23:05,916 --> 01:23:09,541 The pitiful fees, suitcases to carry 1420 01:23:09,708 --> 01:23:12,916 Small furnished accommodations and meager meals 1421 01:23:13,750 --> 01:23:17,500 I already saw myself in photography 1422 01:23:17,666 --> 01:23:21,375 On the arm of a star winter in the snow, summer in the sun 1423 01:23:21,541 --> 01:23:25,083 I already saw myself telling my life story 1424 01:23:25,416 --> 01:23:28,958 Looking disillusioned to beginners looking for advice 1425 01:23:29,291 --> 01:23:33,041 I opened calmly premiere nights 1426 01:23:33,208 --> 01:23:36,958 A thousand telegrams from this All-Paris who scares us so much 1427 01:23:37,125 --> 01:23:41,041 And dying of stage fright in front of this floor 1428 01:23:41,208 --> 01:23:44,916 Entered the stage to ovations and the spotlights 1429 01:23:45,083 --> 01:23:48,666 I tried everything though to get out of the number 1430 01:23:48,833 --> 01:23:52,500 I sang of love, I did comedy and fantasy 1431 01:23:52,666 --> 01:23:56,416 If everything failed for me, if I'm in the shadows 1432 01:23:56,583 --> 01:24:00,333 It's not my fault but that from the public who didn't understand anything 1433 01:24:00,500 --> 01:24:04,250 I was never given a chance 1434 01:24:04,416 --> 01:24:08,083 Others succeeded with few votes and a lot of money 1435 01:24:08,250 --> 01:24:11,791 Me, I was too pure or too advanced 1436 01:24:11,958 --> 01:24:15,625 But one day will come, I will show them that I have talent 1437 01:24:40,708 --> 01:24:42,583 Tomorrow, we change jobs. 1438 01:24:43,000 --> 01:24:44,833 I know it, that sound of the folding seat. 1439 01:24:45,000 --> 01:24:47,208 - People are leaving. - Go greet them anyway. 1440 01:24:47,375 --> 01:24:49,416 - What is it for? - Go ahead, Charles. 1441 01:25:48,791 --> 01:25:51,916 I already saw myself at the top of the poster 1442 01:25:52,416 --> 01:25:53,541 HEALTH! 1443 01:25:53,708 --> 01:25:56,500 - Health to all! - And to all radio bosses 1444 01:25:56,666 --> 01:26:00,500 that I met after the show and who all want to play it. 1445 01:26:00,958 --> 01:26:04,208 You will enter through the front door. We'll hear you everywhere. 1446 01:26:04,375 --> 01:26:07,291 What a spectacle! What a great idea, this staging. 1447 01:26:07,625 --> 01:26:10,208 -Thank you, Charles. - It's Charles Trenet. 1448 01:26:12,208 --> 01:26:14,625 - I love it. - Look who there is. 1449 01:26:15,375 --> 01:26:17,541 Bouchard. I hate this journalist. 1450 01:26:18,125 --> 01:26:19,833 He put me to death several times. 1451 01:26:20,000 --> 01:26:21,375 Mr Aznavour, 1452 01:26:21,541 --> 01:26:23,208 nothing to say, you amazed me. 1453 01:26:23,375 --> 01:26:24,500 Thank you so much. 1454 01:26:25,125 --> 01:26:26,750 Sorry for my previous article. 1455 01:26:26,916 --> 01:26:29,958 - I wasn't very gentle. - Ah good ? 1456 01:26:30,625 --> 01:26:32,291 I never read the press. 1457 01:26:34,458 --> 01:26:35,875 Have a glass of champagne. 1458 01:26:36,458 --> 01:26:37,500 It's for me. 1459 01:26:38,000 --> 01:26:40,833 It makes me happy. I wish you a good evening. 1460 01:26:41,000 --> 01:26:43,208 Thank you so much. See you soon. 1461 01:26:45,750 --> 01:26:47,166 Very good lesson in diplomacy. 1462 01:26:47,333 --> 01:26:50,375 - Hat. - He's strong. Come on, have champagne 1463 01:26:50,541 --> 01:26:52,583 a little, Charles Trenet. 1464 01:26:52,916 --> 01:26:56,333 I always said, the best song, it's "There is joy". 1465 01:26:56,500 --> 01:26:57,500 Yes, but tonight, 1466 01:26:58,250 --> 01:27:01,083 my son has become a great artist. Huh, Charles? 1467 01:27:02,416 --> 01:27:03,916 Do you remember what I said? 1468 01:27:04,083 --> 01:27:06,375 Look where we come from and where we are today! 1469 01:27:09,000 --> 01:27:11,708 - The little one is here. - Good evening, ladies and gentlemen. 1470 01:27:12,333 --> 01:27:14,458 - Good evening. - Good evening. 1471 01:27:15,541 --> 01:27:16,750 Good evening, Arlette. 1472 01:27:19,250 --> 01:27:21,791 Very nice to meet you, Patrick. Really. 1473 01:27:25,041 --> 01:27:26,083 Did you like the show? 1474 01:27:26,541 --> 01:27:27,916 Yes, it was good. 1475 01:27:31,250 --> 01:27:32,833 Did your mom explain it to you? 1476 01:27:33,000 --> 01:27:35,708 Yes. I will live with you from time to time. 1477 01:27:35,875 --> 01:27:36,875 So. 1478 01:27:39,291 --> 01:27:41,000 Come, let me introduce you to your family. 1479 01:27:42,375 --> 01:27:43,375 Your grandfather, Mischa. 1480 01:27:43,541 --> 01:27:44,708 Hello, my son. 1481 01:27:44,875 --> 01:27:46,375 Your grandmother, Knar. 1482 01:27:46,541 --> 01:27:47,791 And your big sister, Seda. 1483 01:27:47,958 --> 01:27:49,500 I made your bed for you. 1484 01:27:49,666 --> 01:27:52,208 That's a lot of people suddenly, huh? 1485 01:27:52,375 --> 01:27:56,208 - Are you going to go to Armenian school? - It's really your son, Charles. 1486 01:27:56,791 --> 01:27:59,916 It's a normal school with Armenian lessons. 1487 01:28:00,083 --> 01:28:01,250 Is it difficult? 1488 01:28:06,833 --> 01:28:08,666 Well, what are you doing here? 1489 01:28:08,833 --> 01:28:10,375 You're wasting your life. 1490 01:28:10,541 --> 01:28:13,708 - It's okay, it's okay. - "It's okay, it's okay"... It's not okay at all. 1491 01:28:13,875 --> 01:28:15,833 You look good behind this pan. 1492 01:28:16,000 --> 01:28:18,041 You should be in front of a concert piano, 1493 01:28:18,208 --> 01:28:20,333 in front of a packed room. 1494 01:28:20,500 --> 01:28:23,500 - What are you doing here? - We can't be in two places. 1495 01:28:23,666 --> 01:28:25,375 - Let me laugh! - Cut! 1496 01:28:25,541 --> 01:28:26,750 Okay, cut. 1497 01:28:29,166 --> 01:28:32,500 It was very good. We're going to do it again. 1498 01:28:32,666 --> 01:28:36,166 Charles, you could have a tone a little more jaded? 1499 01:28:36,333 --> 01:28:39,625 Mr. Truffaud, we must change the coils. A quarter of an hour. 1500 01:28:39,791 --> 01:28:40,791 15 minute break. 1501 01:28:40,958 --> 01:28:42,541 - Mr. Aznavour? - Yes. 1502 01:28:42,708 --> 01:28:44,458 Can I have an autograph? 1503 01:28:45,541 --> 01:28:47,250 I have a pen. 1504 01:28:47,416 --> 01:28:49,083 - Is that for? - Celine. 1505 01:28:51,583 --> 01:28:53,916 Hello, Charles. Always so early. 1506 01:28:54,083 --> 01:28:58,416 - I have good news... - I will translate my texts, record 1507 01:28:58,583 --> 01:29:01,541 - my songs in Spanish and English. - All right. There ? 1508 01:29:01,708 --> 01:29:03,041 We have no choice. 1509 01:29:03,208 --> 01:29:05,625 Nothing conquers 17 hours of work per day. 1510 01:29:05,791 --> 01:29:07,166 It's not false. I'll tell you 1511 01:29:07,333 --> 01:29:08,750 the good news. 1512 01:29:08,916 --> 01:29:12,375 We crossed the 300,000 albums mark for “I already saw myself”. 1513 01:29:12,875 --> 01:29:14,416 Second good news: 1514 01:29:14,583 --> 01:29:17,291 after your record of 90 concerts at the Alhambra, 1515 01:29:17,458 --> 01:29:19,916 we're going to open for two weeks at the Olympia. 1516 01:29:20,083 --> 01:29:22,416 I have new songs to make you listen. 1517 01:29:22,583 --> 01:29:24,625 - Are you happy with it? - Very. 1518 01:29:24,791 --> 01:29:26,625 I think I've found the formula. 1519 01:29:26,791 --> 01:29:29,041 The Aznavour formula. 1520 01:29:29,208 --> 01:29:31,875 - Shall I play them for you? - Okay then, quickly. 1521 01:29:32,041 --> 01:29:33,208 Just one. 1522 01:29:33,375 --> 01:29:34,916 I have an appointment waiting for me. 1523 01:29:35,083 --> 01:29:39,125 In the little woods of Trousse Chemise 1524 01:29:39,291 --> 01:29:43,083 When the sea is gray and we are a little 1525 01:29:43,250 --> 01:29:47,375 In the little woods of Trousse Chemise 1526 01:29:47,541 --> 01:29:51,208 We do stupid things, remember the two of us 1527 01:29:51,375 --> 01:29:54,958 We were off to Trousse Chemise 1528 01:29:55,125 --> 01:29:59,000 Watched by the old women behind their shutters 1529 01:29:59,166 --> 01:30:02,500 We left happily 1530 01:30:02,666 --> 01:30:08,166 With two bottles of real muscadet 1531 01:30:11,166 --> 01:30:15,416 Come see the actors, see the musicians 1532 01:30:15,583 --> 01:30:18,500 See the magicians who arrive 1533 01:30:18,666 --> 01:30:21,791 The actors installed their trestles 1534 01:30:21,958 --> 01:30:25,708 They set up their stage and stretched out the calicoes 1535 01:30:26,000 --> 01:30:29,125 The actors traveled the suburbs 1536 01:30:29,291 --> 01:30:33,208 They gave the parade with great drum reinforcement 1537 01:30:33,375 --> 01:30:36,708 In front of the church, a trailer painted green 1538 01:30:36,875 --> 01:30:40,166 With the chairs of an open-air theater 1539 01:30:40,333 --> 01:30:43,125 And behind them, like a mad procession 1540 01:30:43,291 --> 01:30:44,625 They drain the whole country 1541 01:30:44,791 --> 01:30:47,833 The actors 1542 01:30:48,000 --> 01:30:49,333 It's magnificent. 1543 01:30:51,125 --> 01:30:52,583 And your appointment? 1544 01:30:52,750 --> 01:30:53,750 Shit. 1545 01:30:58,750 --> 01:30:59,541 -Charles... - Yes? 1546 01:30:59,708 --> 01:31:02,333 You should open the mail, especially this one. 1547 01:31:02,500 --> 01:31:03,708 You'll like it. 1548 01:31:04,125 --> 01:31:05,541 It's your copyright. 1549 01:31:07,333 --> 01:31:08,458 1 million? 1550 01:31:08,791 --> 01:31:10,208 Are they old francs? 1551 01:31:10,375 --> 01:31:12,916 No, new ones. 1552 01:31:15,458 --> 01:31:17,166 Gentlemen magicians, 1553 01:31:17,708 --> 01:31:19,791 we will be able to get set up. 1554 01:31:20,416 --> 01:31:21,416 Michael? 1555 01:31:33,375 --> 01:31:35,416 Because you believe 1556 01:31:35,583 --> 01:31:38,583 That you are my weakness 1557 01:31:38,750 --> 01:31:40,208 You hurt me 1558 01:31:40,375 --> 01:31:42,666 Bruise me 1559 01:31:43,250 --> 01:31:45,208 And you play me 1560 01:31:45,375 --> 01:31:47,416 Like everything 1561 01:31:48,083 --> 01:31:50,000 And have 1562 01:31:50,166 --> 01:31:52,375 Of my life 1563 01:31:53,375 --> 01:31:55,375 And day and... 1564 01:31:56,041 --> 01:31:57,541 Stop! Stop! 1565 01:31:57,708 --> 01:31:58,875 The ropes. 1566 01:31:59,041 --> 01:32:00,208 That's not very fair. 1567 01:32:00,375 --> 01:32:02,375 We concentrate. Come on, let's go back. 1568 01:32:02,541 --> 01:32:03,541 From the start. 1569 01:32:12,000 --> 01:32:14,125 Because you believe 1570 01:32:14,291 --> 01:32:16,083 What... We stop. 1571 01:32:16,791 --> 01:32:18,541 It's me, sorry. Sorry. 1572 01:32:18,708 --> 01:32:19,708 We're going back. 1573 01:32:30,000 --> 01:32:31,333 The brass. 1574 01:32:31,791 --> 01:32:34,750 Can I have them? more sharp, dynamic? 1575 01:32:35,458 --> 01:32:38,041 You're going to make it for me at least once? 1576 01:32:40,625 --> 01:32:41,750 Let's start again. 1577 01:34:18,916 --> 01:34:22,000 Johnny Hallyday, Charles Aznavour. 1578 01:34:22,166 --> 01:34:23,166 - Delighted. - Good morning. 1579 01:34:23,333 --> 01:34:26,041 Thank you for welcoming me to your home. It's nice. 1580 01:34:27,333 --> 01:34:28,333 It's beautiful here. 1581 01:34:28,458 --> 01:34:29,458 - Do you find it? - Yeah. 1582 01:34:29,625 --> 01:34:31,791 - Where are you from? - I grew up a little in Paris, 1583 01:34:31,958 --> 01:34:34,291 a little in Belgium, but especially in the street. 1584 01:34:34,458 --> 01:34:36,541 - That gives us something in common. - Ah good ? 1585 01:34:36,708 --> 01:34:38,625 I heard you sing. Well done. 1586 01:34:38,791 --> 01:34:40,916 - Well done, you have real talent. - THANKS. 1587 01:34:41,083 --> 01:34:44,916 Few singers of your generation are interested in me, in rock 1588 01:34:45,083 --> 01:34:46,750 or yéyé, as they say. 1589 01:34:46,916 --> 01:34:49,416 They are afraid let us take their place. 1590 01:34:50,416 --> 01:34:53,875 So that if we are not listening From what happens, we are dead. 1591 01:34:55,166 --> 01:34:57,291 Sing without your rock'n'roll effects. 1592 01:34:57,458 --> 01:35:00,416 Take a soft voice, like talking to a woman 1593 01:35:00,583 --> 01:35:02,291 Okay. That speaks to me. 1594 01:35:03,291 --> 01:35:04,333 I'm starting. 1595 01:35:06,208 --> 01:35:09,333 Hold back the night 1596 01:35:10,083 --> 01:35:14,166 For both of us, until the end of the world 1597 01:35:14,583 --> 01:35:18,000 Hold back the night 1598 01:35:18,166 --> 01:35:22,041 For our hearts in its wandering course 1599 01:35:22,208 --> 01:35:24,250 HOLD ME TIGHT 1600 01:35:24,416 --> 01:35:26,375 AGAINST YOUR BODY 1601 01:35:26,791 --> 01:35:30,583 IT NEEDS TO BE CRAZY TIME 1602 01:35:30,750 --> 01:35:32,625 THE GREAT LOVE 1603 01:35:32,791 --> 01:35:34,541 RIP THE DAY 1604 01:35:35,000 --> 01:35:39,375 AND MAKES US FORGET LIFE 1605 01:35:39,791 --> 01:35:40,958 REMEMBER... 1606 01:35:41,458 --> 01:35:43,083 At night 1607 01:35:53,833 --> 01:35:56,041 - Are you coming to dance with us? - No, thank you. 1608 01:35:57,500 --> 01:35:58,666 Well then, 1609 01:35:58,833 --> 01:36:00,750 Charles, are you being choosy? 1610 01:36:00,916 --> 01:36:02,041 Don't you like them? 1611 01:36:02,208 --> 01:36:05,000 They are pretty, but I know why they are there. 1612 01:36:05,333 --> 01:36:08,750 You're boring. But you jumped half of the Côte d'Azur. 1613 01:36:08,916 --> 01:36:11,333 Half? Only ? 1614 01:36:14,083 --> 01:36:17,500 These are my Swedish friends. I will introduce them to you. 1615 01:36:17,958 --> 01:36:19,041 Girls! 1616 01:36:20,375 --> 01:36:21,500 Come on, girls! 1617 01:36:31,625 --> 01:36:34,333 Charles, this is Essie. 1618 01:36:35,083 --> 01:36:36,083 And Ulla. 1619 01:36:54,833 --> 01:36:56,083 Ulla, is that it? 1620 01:36:56,500 --> 01:36:57,541 - Ulla. - Ulla. 1621 01:36:57,708 --> 01:36:58,750 Good evening, Charles. 1622 01:36:58,916 --> 01:37:00,708 - Good to see you. - Thank you so much. 1623 01:37:02,375 --> 01:37:04,083 Skägget i brevladan. 1624 01:37:04,416 --> 01:37:06,541 - Do you speak Swedish? - No not at all. 1625 01:37:06,708 --> 01:37:09,333 That's the only sentence. I don't know what that means. 1626 01:37:09,500 --> 01:37:11,000 That means... 1627 01:37:11,458 --> 01:37:13,875 "got the beard in the mailbox." 1628 01:37:14,041 --> 01:37:15,958 In our case, “caught red-handed”. 1629 01:37:16,125 --> 01:37:17,875 Good evening. Congratulations, Mr. Aznavour. 1630 01:37:18,375 --> 01:37:19,083 Thank you. 1631 01:37:19,250 --> 01:37:19,916 Thank you. 1632 01:37:20,083 --> 01:37:21,416 Do you know everyone? 1633 01:37:21,583 --> 01:37:24,791 No, it's more them who know me. It's fans. 1634 01:37:25,083 --> 01:37:26,625 Fans? 1635 01:37:27,166 --> 01:37:28,166 Why fans? 1636 01:37:28,791 --> 01:37:30,458 Charles Aznavour, does that mean anything to you? 1637 01:37:31,500 --> 01:37:32,500 No, sorry. 1638 01:37:32,625 --> 01:37:35,583 I don't know very well French culture. 1639 01:37:35,750 --> 01:37:36,875 Don't be sorry. 1640 01:37:37,250 --> 01:37:41,125 Know that in French culture, when you are offered a cut, 1641 01:37:41,291 --> 01:37:42,791 you are obliged to accept it. 1642 01:37:44,750 --> 01:37:46,291 What do you do for a living? 1643 01:37:46,458 --> 01:37:49,583 - I'm a model. I take photos. - I bet it. 1644 01:37:50,166 --> 01:37:52,208 - You have to travel a lot. - Yes. 1645 01:37:52,375 --> 01:37:53,750 Milano, 1646 01:37:54,625 --> 01:37:56,750 Paris, a bit in the "United States"... 1647 01:37:56,916 --> 01:37:58,166 So listen, Ulla, 1648 01:37:58,333 --> 01:38:01,458 the day I change to the "United States", I invite you. 1649 01:38:01,625 --> 01:38:04,125 I take care of everything: flight, accommodation... 1650 01:38:04,291 --> 01:38:06,666 - Everything. - Thank you, that’s nice. But... 1651 01:38:06,833 --> 01:38:09,333 if it happens, I will take my ticket alone. 1652 01:38:12,833 --> 01:38:13,833 Alright. 1653 01:38:16,250 --> 01:38:18,625 So... Skägget i brevladan. 1654 01:38:20,458 --> 01:38:23,625 Caught red-handed, right? 1655 01:38:31,916 --> 01:38:32,916 Shall we dance? 1656 01:38:33,875 --> 01:38:35,250 All right. 1657 01:38:52,791 --> 01:38:56,083 - Come and have breakfast. - No, thank you. 1658 01:38:56,250 --> 01:38:57,666 Not for now. 1659 01:38:57,833 --> 01:38:59,541 How's school going, Patrick? 1660 01:39:00,666 --> 01:39:03,750 With Patrick, it's hard to know. He doesn't speak. 1661 01:39:04,500 --> 01:39:07,750 Tomorrow, we have lunch with Frédéric Dard. Are you coming? 1662 01:39:08,083 --> 01:39:10,833 I can't. I recorded six songs in Spanish. 1663 01:39:11,333 --> 01:39:13,250 I hope that you will have time to eat. 1664 01:39:13,416 --> 01:39:14,416 A sandwich. 1665 01:39:15,750 --> 01:39:18,666 Before, it was for lack of money, now, time. 1666 01:39:18,833 --> 01:39:19,833 There there. 1667 01:39:19,958 --> 01:39:21,791 Who is talking to me? Charles or Aznavour? 1668 01:39:22,166 --> 01:39:23,166 You will tell me 1669 01:39:23,250 --> 01:39:24,490 when my brother is available. 1670 01:39:24,625 --> 01:39:25,875 You're funny, sister. 1671 01:39:30,000 --> 01:39:32,333 - Slept well, my love? - Alright. 1672 01:39:32,500 --> 01:39:34,340 - I didn't hear you come down. - Hello, Ulla. 1673 01:39:34,875 --> 01:39:35,958 Good morning. 1674 01:39:41,333 --> 01:39:43,083 That's pretty. It's what ? 1675 01:39:43,250 --> 01:39:47,416 We work with Jacques Plante. I finally found the melody. 1676 01:39:47,583 --> 01:39:49,750 - Can you play it? - If you want. 1677 01:40:13,958 --> 01:40:15,541 I'm talking to you about a time 1678 01:40:15,708 --> 01:40:17,000 That those under twenty 1679 01:40:17,166 --> 01:40:19,500 Can't know 1680 01:40:20,541 --> 01:40:22,916 Montmartre at that time 1681 01:40:23,833 --> 01:40:25,375 Hanging her lilacs 1682 01:40:25,541 --> 01:40:26,958 Right under our windows 1683 01:40:27,125 --> 01:40:28,666 And if the humble garnished 1684 01:40:28,833 --> 01:40:30,250 Who served as our nest 1685 01:40:30,416 --> 01:40:32,666 Didn't look like much 1686 01:40:32,833 --> 01:40:34,791 This is where we met 1687 01:40:34,958 --> 01:40:36,416 I who cried out for famine 1688 01:40:36,583 --> 01:40:39,083 And you who posed naked 1689 01:40:39,250 --> 01:40:42,458 bohemian 1690 01:40:43,333 --> 01:40:45,708 bohemian 1691 01:40:46,708 --> 01:40:48,583 That meant 1692 01:40:49,125 --> 01:40:51,416 We are happy 1693 01:40:52,500 --> 01:40:54,583 bohemian 1694 01:40:55,458 --> 01:40:57,875 bohemian 1695 01:40:58,041 --> 01:41:04,041 We only ate every other day 1696 01:41:06,208 --> 01:41:07,625 In neighboring cafes 1697 01:41:07,791 --> 01:41:09,125 There were a few of us 1698 01:41:09,291 --> 01:41:11,375 Who were waiting for glory 1699 01:41:12,041 --> 01:41:14,541 And although miserable 1700 01:41:15,291 --> 01:41:16,833 With a hollow stomach 1701 01:41:17,000 --> 01:41:18,125 We never stopped believing 1702 01:41:18,291 --> 01:41:20,125 And when a few bistros 1703 01:41:20,291 --> 01:41:21,625 Against a good hot meal 1704 01:41:21,791 --> 01:41:23,666 We took a canvas 1705 01:41:23,833 --> 01:41:26,208 We recited verses 1706 01:41:26,375 --> 01:41:27,708 Grouped around the stove 1707 01:41:27,875 --> 01:41:30,375 Forgetting winter 1708 01:41:30,541 --> 01:41:33,166 bohemian 1709 01:41:34,291 --> 01:41:36,041 bohemian 1710 01:41:36,208 --> 01:41:39,458 I did well to give you your chance in this box. 1711 01:41:40,708 --> 01:41:42,500 You were so sure of yourself. 1712 01:41:43,708 --> 01:41:45,916 So pretentious. 1713 01:41:47,416 --> 01:41:48,583 So French. 1714 01:41:49,666 --> 01:41:54,000 - It was me who gave you your chance. - You see, that's exactly it. 1715 01:42:21,375 --> 01:42:24,500 My parents settled there after their marriage. 1716 01:42:24,666 --> 01:42:26,250 So what, Charles? 1717 01:42:26,916 --> 01:42:28,500 When are you asking me to marry you? 1718 01:42:28,666 --> 01:42:32,083 Me, marriage, children, I have given enough. 1719 01:42:32,333 --> 01:42:34,041 I think it's more for me. 1720 01:42:34,208 --> 01:42:36,666 bohemian 1721 01:42:37,416 --> 01:42:39,958 bohemian 1722 01:43:06,125 --> 01:43:07,916 I'm just trying to understand you. 1723 01:43:08,083 --> 01:43:10,791 We're not going to put this back on the table, shit ! 1724 01:43:10,958 --> 01:43:12,083 All right. 1725 01:43:12,708 --> 01:43:14,125 I'm going back to Sweden. 1726 01:43:14,291 --> 01:43:16,500 And if one day you want to see me again, 1727 01:43:16,958 --> 01:43:18,458 it's for marriage. 1728 01:43:18,750 --> 01:43:19,833 Attention. 1729 01:43:20,791 --> 01:43:23,250 Are you sure what are you doing? 1730 01:43:25,208 --> 01:43:28,333 bohemian 1731 01:43:29,416 --> 01:43:31,833 Bohemia 1732 01:43:38,750 --> 01:43:41,541 bohemian 1733 01:43:42,416 --> 01:43:45,041 bohemian 1734 01:43:45,208 --> 01:43:51,250 It doesn't mean anything at all anymore 1735 01:44:30,875 --> 01:44:33,875 Charles Aznavour, the famous French singer, 1736 01:44:34,041 --> 01:44:37,416 happened for the first time at Carnegie Hall tonight. 1737 01:44:37,583 --> 01:44:39,625 French journalists were present 1738 01:44:39,791 --> 01:44:42,875 to testify of his long-awaited debut in New York. 1739 01:44:43,500 --> 01:44:45,500 It's my first time in the United States 1740 01:44:45,666 --> 01:44:47,833 and I know that the public was full of French people, 1741 01:44:48,000 --> 01:44:50,750 but I will come back sing more in English, 1742 01:44:50,916 --> 01:44:53,583 because I dream of a big tour in the United States. 1743 01:44:53,750 --> 01:44:55,666 There is someone else for you. 1744 01:44:55,833 --> 01:44:58,041 - You see I'm busy. - He insists. 1745 01:44:59,166 --> 01:45:00,166 Excuse me. 1746 01:45:02,541 --> 01:45:03,916 What is his name? 1747 01:45:04,750 --> 01:45:06,333 His name is Pierre Roche. 1748 01:45:06,833 --> 01:45:08,166 Rock. 1749 01:45:12,583 --> 01:45:14,708 - You didn't tell me anything. - Don't you like surprises? 1750 01:45:14,875 --> 01:45:15,875 Between. 1751 01:45:17,125 --> 01:45:18,125 Pierre Roche. 1752 01:45:18,250 --> 01:45:20,750 - My best friend. - Delighted. 1753 01:45:20,916 --> 01:45:23,041 We have to go. Thanks again. 1754 01:45:23,208 --> 01:45:23,916 It was nothing. 1755 01:45:24,083 --> 01:45:25,083 Bye. 1756 01:45:25,416 --> 01:45:26,416 Frank? 1757 01:45:27,958 --> 01:45:31,208 I will sing here until I have the same salary as you. 1758 01:45:31,375 --> 01:45:32,958 Good luck. 1759 01:45:35,375 --> 01:45:38,875 You told Frank Sinatra that you were going to have the same salary? 1760 01:45:39,041 --> 01:45:41,666 I missed you, Charles. 1761 01:45:43,125 --> 01:45:44,791 And then look at you! 1762 01:45:46,708 --> 01:45:48,416 I can't shove you in your face anymore. 1763 01:45:48,958 --> 01:45:49,958 On the other hand, me... 1764 01:45:50,000 --> 01:45:51,416 - Yes, I know. - Really, there... 1765 01:45:53,708 --> 01:45:54,750 And you? 1766 01:45:55,416 --> 01:45:56,541 Where are you? 1767 01:45:57,208 --> 01:45:59,208 I play the piano in a hotel. 1768 01:46:00,041 --> 01:46:03,291 Customers don't listen to me. I don't have too much pressure. 1769 01:46:03,750 --> 01:46:07,083 I'm happy. Thanks to my son, I started composing again. 1770 01:46:07,250 --> 01:46:10,333 - How so ? - Whatever happens, every morning, 1771 01:46:10,500 --> 01:46:12,208 I'm with him at breakfast. 1772 01:46:12,375 --> 01:46:14,416 I ask him to tell me his dreams 1773 01:46:14,583 --> 01:46:17,125 - and then, it inspires me melodies. - Yes ? 1774 01:46:17,625 --> 01:46:18,791 And you ? 1775 01:46:19,125 --> 01:46:20,541 - Me ? - Are you happy? 1776 01:46:21,875 --> 01:46:22,958 Yes. 1777 01:46:24,416 --> 01:46:27,083 You're good there. You have everything you want. 1778 01:46:29,375 --> 01:46:30,500 Yes. 1779 01:46:33,000 --> 01:46:34,000 Yeah. 1780 01:46:35,708 --> 01:46:37,125 Still not satisfied, huh? 1781 01:46:38,875 --> 01:46:40,000 And the women? 1782 01:46:41,958 --> 01:46:43,708 I almost experienced true love. 1783 01:46:43,875 --> 01:46:46,333 - That's to say ? - She wanted to get married, I didn't. 1784 01:46:47,083 --> 01:46:49,250 - She left. - Thin. 1785 01:46:52,583 --> 01:46:53,583 Ulla. 1786 01:46:54,416 --> 01:46:57,500 She is Swedish, beautiful, refined. 1787 01:46:57,958 --> 01:47:00,041 And then it's my reverse mirror. 1788 01:47:00,208 --> 01:47:02,458 When she is ice, I am fire. 1789 01:47:03,125 --> 01:47:05,250 You see, you're still talking about it in the present tense. 1790 01:47:06,458 --> 01:47:07,458 What are you waiting for? 1791 01:47:15,416 --> 01:47:18,583 You are the one for me, for me, for me 1792 01:47:18,750 --> 01:47:20,666 Terrific 1793 01:47:22,458 --> 01:47:25,958 You are my love very, very, very 1794 01:47:26,125 --> 01:47:28,083 Genuine 1795 01:47:29,916 --> 01:47:36,166 And I wish I could one day finally tell you 1796 01:47:37,291 --> 01:47:39,916 Write it to you 1797 01:47:40,500 --> 01:47:44,708 In the language of Shakespeare 1798 01:47:44,875 --> 01:47:47,958 My daisy, daisy, daisy 1799 01:47:48,125 --> 01:47:50,375 Desirable 1800 01:47:51,750 --> 01:47:55,041 I am unhappy to have so few words 1801 01:47:55,208 --> 01:47:58,041 To give you as gifts 1802 01:47:58,208 --> 01:48:01,208 Darling I love you, love you, 1803 01:48:01,375 --> 01:48:02,541 Darling, I want you 1804 01:48:03,916 --> 01:48:06,291 And that's about it 1805 01:48:06,458 --> 01:48:09,250 You are the one for me, for me 1806 01:48:09,583 --> 01:48:12,875 For me, wonderful 1807 01:48:32,583 --> 01:48:33,375 Dad, 1808 01:48:33,541 --> 01:48:35,750 you are going to have breakfast with us? 1809 01:48:36,291 --> 01:48:39,375 Yes yes. It smells good here. 1810 01:48:39,541 --> 01:48:41,333 Shall I put some jam on you? 1811 01:48:41,500 --> 01:48:43,333 No, I don't like jam. 1812 01:48:45,291 --> 01:48:48,000 Tell me, Katya, what beautiful thing did you dream of? 1813 01:48:48,166 --> 01:48:51,333 I dreamed of Mischa. In the garden there was a dog 1814 01:48:51,500 --> 01:48:53,208 who wanted to catch us. 1815 01:48:53,375 --> 01:48:55,125 And Mischa, he was crying. 1816 01:48:57,208 --> 01:48:58,958 Dada. 1817 01:49:00,875 --> 01:49:02,083 That's very good. 1818 01:49:02,250 --> 01:49:04,458 - Will you be there this weekend? - The morning. 1819 01:49:05,958 --> 01:49:07,416 And this evening? 1820 01:49:08,375 --> 01:49:10,625 Tonight, I'm not there. I'm working. 1821 01:49:12,250 --> 01:49:15,041 Let me guide your steps in existence 1822 01:49:15,208 --> 01:49:17,916 Give me the chance to be loved 1823 01:49:18,083 --> 01:49:21,333 Come like a child in the crook of my shoulder 1824 01:49:21,500 --> 01:49:25,541 Leave me the role of making you forget 1825 01:49:25,958 --> 01:49:27,375 The time that goes 1826 01:49:27,541 --> 01:49:29,041 The time that sleeps 1827 01:49:29,208 --> 01:49:30,541 Time without joy 1828 01:49:30,708 --> 01:49:32,333 The time of wonders 1829 01:49:32,500 --> 01:49:33,791 One day's time 1830 01:49:33,958 --> 01:49:35,375 Time of one second 1831 01:49:35,541 --> 01:49:36,916 The time that runs 1832 01:49:37,083 --> 01:49:38,708 Or the one who roars 1833 01:49:38,875 --> 01:49:40,166 Time, time 1834 01:49:40,333 --> 01:49:42,166 Time and nothing else 1835 01:49:42,333 --> 01:49:45,000 Yours, mine The one we want ours 1836 01:49:45,166 --> 01:49:46,333 Time, time 1837 01:49:46,500 --> 01:49:48,250 Time and nothing else 1838 01:49:48,416 --> 01:49:49,416 Yours, mine 1839 01:49:49,583 --> 01:49:51,708 The one we want ours 1840 01:49:52,791 --> 01:49:54,291 Time passed 1841 01:49:54,458 --> 01:49:55,958 The one who will be born 1842 01:49:56,125 --> 01:49:57,458 Time to love 1843 01:49:57,625 --> 01:49:59,083 And disappear 1844 01:49:59,250 --> 01:50:00,583 The time of crying 1845 01:50:00,750 --> 01:50:01,958 lucky time 1846 01:50:05,166 --> 01:50:06,916 Patrick. 1847 01:50:07,083 --> 01:50:07,875 Hello, dad. 1848 01:50:08,041 --> 01:50:11,041 Come on, come closer, big guy. Jean-Louis told me you were there. 1849 01:50:11,208 --> 01:50:12,208 Should have warned me. 1850 01:50:12,375 --> 01:50:14,250 It's been weeks since we've seen you. 1851 01:50:14,416 --> 01:50:15,500 I know. 1852 01:50:18,291 --> 01:50:19,416 What's going on? 1853 01:50:19,583 --> 01:50:21,000 Nothing. Nothing, nothing. 1854 01:50:21,166 --> 01:50:23,166 And congratulations for tonight. It was very good. 1855 01:50:23,333 --> 01:50:25,916 No. It wasn't good at all. 1856 01:50:26,250 --> 01:50:27,750 Let's talk about something else. 1857 01:50:27,916 --> 01:50:29,875 - Three weeks of absence. - Yes, sorry. 1858 01:50:30,041 --> 01:50:32,250 - Tell me about it. - I didn't want to go out. 1859 01:50:32,541 --> 01:50:33,916 I wasn't in great shape. 1860 01:50:34,083 --> 01:50:35,291 But it's getting better. 1861 01:50:36,708 --> 01:50:37,750 It's better. 1862 01:50:38,166 --> 01:50:40,916 And is this new apartment good? 1863 01:50:42,166 --> 01:50:43,458 Don't you feel too alone? 1864 01:50:43,625 --> 01:50:45,125 No not at all. 1865 01:50:45,291 --> 01:50:47,041 And the apartment is perfect. 1866 01:50:47,583 --> 01:50:49,083 Thank you, it's a nice gift. 1867 01:50:49,250 --> 01:50:51,875 Don't thank me. This is completely normal. 1868 01:50:52,041 --> 01:50:53,208 You are my son. 1869 01:50:53,375 --> 01:50:55,708 If you need anything else... 1870 01:50:56,166 --> 01:50:57,166 No. 1871 01:50:59,833 --> 01:51:00,958 The piano? 1872 01:51:03,041 --> 01:51:05,333 - Did you receive it? - Yes. Yes. 1873 01:51:05,500 --> 01:51:06,666 He's handsome, isn't he? 1874 01:51:09,791 --> 01:51:12,958 - The guy from Parisien would like to see you. - I'm coming. 1875 01:51:14,708 --> 01:51:16,083 Above all, don't hesitate. 1876 01:51:17,666 --> 01:51:19,083 I don't want you to lack anything. 1877 01:51:19,250 --> 01:51:20,375 I have everything you need. 1878 01:51:30,458 --> 01:51:35,291 Under the Paris sky A song flies away 1879 01:51:38,291 --> 01:51:40,208 She was born today 1880 01:51:40,375 --> 01:51:42,916 In the heart of a boy 1881 01:51:49,041 --> 01:51:50,083 One last one. 1882 01:51:51,208 --> 01:51:53,333 Gentlemen and ladies, sorry, we have to go. 1883 01:51:53,833 --> 01:51:56,208 Well done, Charles! It was magnificent. 1884 01:51:56,833 --> 01:51:58,125 It was very good this evening. 1885 01:51:58,291 --> 01:52:02,583 No. I know when I've been good and when I wasn't. 1886 01:52:02,750 --> 01:52:04,125 Let's go have a drink. 1887 01:52:04,291 --> 01:52:08,000 A sitting philosopher 1888 01:52:08,166 --> 01:52:09,416 Two musicians 1889 01:52:09,583 --> 01:52:11,083 Some onlookers 1890 01:52:11,250 --> 01:52:14,333 Then people by the thousands 1891 01:52:16,166 --> 01:52:17,916 Take me where you would have gone. 1892 01:52:18,500 --> 01:52:21,291 I mostly go to places, bars... 1893 01:52:21,458 --> 01:52:22,666 Gay bars? 1894 01:52:23,166 --> 01:52:25,000 - It's not a bad word. - Gay bars. 1895 01:52:26,583 --> 01:52:27,583 THANKS. 1896 01:52:27,625 --> 01:52:30,166 - Where is Patrick? - He's already left. 1897 01:52:30,333 --> 01:52:33,083 Already ? He didn't even say goodbye. 1898 01:52:33,250 --> 01:52:34,583 Thank you so much. 1899 01:52:39,875 --> 01:52:41,958 He sleeps in the night 1900 01:52:42,125 --> 01:52:44,791 The tramps and the beggars 1901 01:52:47,541 --> 01:52:49,416 Under the Paris sky 1902 01:52:49,583 --> 01:52:51,875 The birds of the Good Lord 1903 01:52:55,083 --> 01:52:57,291 Come from all over the world 1904 01:52:57,458 --> 01:52:59,958 To chat with each other 1905 01:53:08,291 --> 01:53:11,166 - Well done, Jackie. It was very moving. - THANKS. 1906 01:53:11,666 --> 01:53:14,000 It's an interpretation very personal. 1907 01:53:14,625 --> 01:53:16,125 - I liked it. - It touches me. 1908 01:53:16,541 --> 01:53:20,208 I've sung in clubs before where I was insulted. 1909 01:53:20,375 --> 01:53:22,083 I heard everything, you know. 1910 01:53:22,250 --> 01:53:24,708 Crazy, crazy, 1911 01:53:24,875 --> 01:53:26,208 dirty faggot, obviously. 1912 01:53:26,375 --> 01:53:29,583 - Insults, I know well too. - Ah good ? 1913 01:53:29,750 --> 01:53:32,416 What did we tell you? 1914 01:53:32,583 --> 01:53:34,083 If you knew... 1915 01:53:34,250 --> 01:53:35,333 Rom, 1916 01:53:35,500 --> 01:53:36,750 nabot, 1917 01:53:36,916 --> 01:53:38,041 metic, 1918 01:53:39,250 --> 01:53:40,291 dirty Jew... 1919 01:53:40,458 --> 01:53:42,458 - But you're not Jewish, right? - No. 1920 01:53:43,166 --> 01:53:44,500 At least you're gay. 1921 01:53:44,916 --> 01:53:47,666 Yes yes. 1922 01:53:50,750 --> 01:53:52,041 Who will sing this? 1923 01:53:52,708 --> 01:53:53,708 Me. 1924 01:53:55,416 --> 01:53:57,250 - You say "I" in the song. - Yes. 1925 01:53:58,125 --> 01:53:59,666 So what? 1926 01:54:00,750 --> 01:54:02,250 Are you going to explain to people? 1927 01:54:02,416 --> 01:54:04,916 Make an announcement? They won't understand anything. 1928 01:54:05,083 --> 01:54:08,250 Of course not, We're not going to make an announcement before then. 1929 01:54:08,416 --> 01:54:10,583 Don't believe that the public is stupid. 1930 01:54:10,750 --> 01:54:12,375 I'm going to sing it as it is. 1931 01:54:13,416 --> 01:54:15,083 I will behave like you. 1932 01:54:31,541 --> 01:54:34,000 I live alone with my mother 1933 01:54:34,166 --> 01:54:36,583 In a very old apartment 1934 01:54:38,250 --> 01:54:41,041 Sarasate Street 1935 01:54:42,375 --> 01:54:44,833 I have to keep me company 1936 01:54:45,250 --> 01:54:48,083 One turtle, two canaries 1937 01:54:49,375 --> 01:54:52,875 And a pussy 1938 01:54:53,541 --> 01:54:56,166 To let mom rest 1939 01:54:56,333 --> 01:54:59,083 Very often, I go to the market 1940 01:55:00,375 --> 01:55:03,708 And the kitchen 1941 01:55:04,500 --> 01:55:07,125 I tidy, I wash, I dry 1942 01:55:07,291 --> 01:55:10,708 On occasion, I also sting 1943 01:55:10,875 --> 01:55:15,541 By machine 1944 01:55:15,708 --> 01:55:18,291 Work doesn't scare me 1945 01:55:18,458 --> 01:55:21,041 I'm a bit of a decorator 1946 01:55:21,750 --> 01:55:25,416 A bit of a stylist 1947 01:55:26,416 --> 01:55:27,541 But my real job 1948 01:55:27,708 --> 01:55:29,041 It's night 1949 01:55:29,541 --> 01:55:31,916 That I exercise it transvestite 1950 01:55:32,958 --> 01:55:36,541 I am an artist 1951 01:55:36,916 --> 01:55:40,000 I have a very special number 1952 01:55:40,166 --> 01:55:42,083 Who ends up completely naked 1953 01:55:43,958 --> 01:55:46,750 After striptease 1954 01:55:47,958 --> 01:55:50,375 And in the room I see that 1955 01:55:50,541 --> 01:55:53,041 The males can't believe their eyes 1956 01:55:53,208 --> 01:55:54,666 I am a gay 1957 01:55:55,166 --> 01:56:00,416 As they say 1958 01:56:07,125 --> 01:56:09,000 So, we show up without warning? 1959 01:56:12,750 --> 01:56:13,916 What's going on? 1960 01:56:14,083 --> 01:56:15,083 Charles... 1961 01:56:15,583 --> 01:56:16,708 Is it the parents? 1962 01:56:19,625 --> 01:56:20,625 Aida? 1963 01:56:21,750 --> 01:56:23,125 Aida? 1964 01:56:23,375 --> 01:56:24,416 Speak. 1965 01:56:28,041 --> 01:56:29,375 It's Patrick. 1966 01:56:29,750 --> 01:56:30,791 And what? 1967 01:56:31,250 --> 01:56:33,125 We found him like this at his home. 1968 01:56:35,208 --> 01:56:38,000 He is dead, Charles. I'm sorry. 1969 01:57:06,625 --> 01:57:07,625 I'm going to go there. 1970 01:57:08,958 --> 01:57:11,041 You're not coming with us with the parents? 1971 01:57:12,000 --> 01:57:13,875 I have to go to the Olympia. I play. 1972 01:57:14,041 --> 01:57:15,291 Even tonight? 1973 01:58:30,458 --> 01:58:32,125 - Are you okay, brother? - Yes. 1974 01:58:34,375 --> 01:58:35,791 Are you sure? 1975 01:58:35,958 --> 01:58:37,375 It's okay, yes. I... 1976 01:58:37,958 --> 01:58:39,833 I was writing a song. 1977 01:58:45,000 --> 01:58:47,125 You can tell me if it doesn't work. 1978 01:58:47,916 --> 01:58:50,708 It's going very well. Well, you know, I... 1979 01:58:52,500 --> 01:58:54,708 I was focused on a text. 1980 01:58:54,875 --> 01:58:57,791 Why do you lock yourself away all day to write? 1981 01:58:59,166 --> 01:59:01,333 There is no emergency to release a new album. 1982 01:59:02,458 --> 01:59:04,625 You don't need new inflow of money. 1983 01:59:06,166 --> 01:59:08,791 Must maintain well everyone's lifestyle. 1984 01:59:08,958 --> 01:59:09,958 Charles... 1985 01:59:10,958 --> 01:59:12,166 you are at the top. 1986 01:59:15,500 --> 01:59:16,875 You can take the time. 1987 01:59:18,666 --> 01:59:20,583 After what happened... 1988 01:59:21,250 --> 01:59:24,500 maybe you can calm things down a little, 1989 01:59:24,666 --> 01:59:26,083 enjoy the children. 1990 01:59:30,333 --> 01:59:32,291 Charles, you just lost your son. 1991 01:59:33,958 --> 01:59:35,208 Talk to me. 1992 01:59:36,041 --> 01:59:38,625 You can tell me that you are sad. 1993 01:59:42,291 --> 01:59:44,916 First of all, I don't think I'm at the top. 1994 01:59:46,458 --> 01:59:48,125 And I thought about it carefully. 1995 01:59:49,666 --> 01:59:52,291 I'm going to ask Jean-Louis to rent 1996 01:59:52,458 --> 01:59:53,791 the most beautiful room 1997 01:59:53,958 --> 01:59:56,875 in every capital of each major country. 1998 02:00:01,125 --> 02:00:02,708 I need to travel. 1999 02:00:05,125 --> 02:00:06,541 I need to see people. 2000 02:00:08,541 --> 02:00:09,541 All right. 2001 02:00:11,750 --> 02:00:13,208 It's a very good idea. 2002 02:00:16,958 --> 02:00:19,125 In case you don't know my name, 2003 02:00:19,875 --> 02:00:21,375 I had it written here. 2004 02:00:21,541 --> 02:00:24,250 Towards the docks where weight and boredom 2005 02:00:24,416 --> 02:00:26,750 Bend my back 2006 02:00:28,291 --> 02:00:30,750 They arrive with heavy stomachs 2007 02:00:30,916 --> 02:00:32,625 Fruit boats 2008 02:00:35,416 --> 02:00:36,576 They come from the end of the world 2009 02:00:36,666 --> 02:00:38,059 Bringing with them Wandering ideas 2010 02:00:38,083 --> 02:00:39,625 With reflections of blue skies 2011 02:00:40,125 --> 02:00:41,583 Of mirages 2012 02:00:42,291 --> 02:00:44,375 Trailing a peppery scent From unknown countries 2013 02:00:44,541 --> 02:00:46,625 And eternal summers Where we live almost naked 2014 02:00:46,791 --> 02:00:48,458 On the beaches 2015 02:00:48,625 --> 02:00:51,458 I who have never known all my life 2016 02:00:51,875 --> 02:00:53,666 Than the northern sky 2017 02:00:55,416 --> 02:00:57,791 I would like to wash off this gray 2018 02:00:57,958 --> 02:01:00,583 By tacking 2019 02:01:01,708 --> 02:01:06,125 Take me to the ends of the earth 2020 02:01:07,125 --> 02:01:10,166 Take me to wonderland 2021 02:01:10,333 --> 02:01:14,000 It seems to me that misery 2022 02:01:14,166 --> 02:01:16,791 Would be less painful in the sun 2023 02:01:17,875 --> 02:01:20,166 In the bars at dusk 2024 02:01:20,333 --> 02:01:22,500 With the sailors 2025 02:01:24,291 --> 02:01:26,750 When we talk about girls and love 2026 02:01:26,916 --> 02:01:29,458 A drink in hand 2027 02:01:31,291 --> 02:01:33,251 I lose track of things And suddenly my thought 2028 02:01:33,416 --> 02:01:35,833 Pick me up and drop me off A wonderful summer 2029 02:01:36,000 --> 02:01:38,041 On the strike 2030 02:01:38,208 --> 02:01:40,059 Where I see stretching out my arms Love that like crazy 2031 02:01:40,083 --> 02:01:42,625 Runs ahead of me And I hang on my neck 2032 02:01:42,791 --> 02:01:43,875 From my dream 2033 02:01:44,541 --> 02:01:47,166 When the bars close, the sailors 2034 02:01:47,333 --> 02:01:49,666 Rejoin their side 2035 02:01:51,666 --> 02:01:54,083 I still dream until the morning 2036 02:01:54,250 --> 02:01:56,833 Standing on the harbor 2037 02:01:57,833 --> 02:01:59,291 You love being on tour, 2038 02:01:59,458 --> 02:02:01,625 - so? - I adore. It's my whole life. 2039 02:02:01,791 --> 02:02:03,666 I sing all over the world... 2040 02:02:03,833 --> 02:02:05,750 but it is a constant challenge. 2041 02:02:05,916 --> 02:02:08,708 It's magic, show business. You never know 2042 02:02:08,875 --> 02:02:10,833 why it works or not. 2043 02:02:11,000 --> 02:02:14,166 And I want to see if the magic will work once again. 2044 02:02:14,333 --> 02:02:17,083 - Thank you for being with us this evening. - My pleasure. 2045 02:02:17,250 --> 02:02:18,916 Ladies and gentlemen, 2046 02:02:19,083 --> 02:02:21,291 thunderous applause for Mr. Charles Aznavour. 2047 02:02:26,750 --> 02:02:27,875 Well done, you were perfect. 2048 02:02:28,458 --> 02:02:29,583 THANKS. 2049 02:02:30,333 --> 02:02:33,333 - I'm leaving, I'm exhausted. - The driver is waiting for you. 2050 02:02:33,500 --> 02:02:35,916 I had the American production, and that's good. 2051 02:02:36,083 --> 02:02:37,791 You will have the same cachet as Sinatra. 2052 02:02:38,375 --> 02:02:39,666 No ? 2053 02:02:39,958 --> 02:02:41,125 Well say... 2054 02:02:41,291 --> 02:02:42,458 Well done, Charles. 2055 02:02:59,791 --> 02:03:00,875 Excuse me ? 2056 02:03:01,291 --> 02:03:02,791 Can you stop here? 2057 02:03:02,958 --> 02:03:04,083 I have... 2058 02:03:04,875 --> 02:03:07,291 - I need to walk. - Yes of course. 2059 02:03:37,541 --> 02:03:41,416 I am received like a king here by the public, the media... 2060 02:03:41,583 --> 02:03:43,125 It's great. 2061 02:03:43,291 --> 02:03:45,291 Why are you telling me that in that tone? 2062 02:03:45,458 --> 02:03:46,666 I don't know very well. I... 2063 02:03:47,166 --> 02:03:48,291 I feel... 2064 02:03:50,666 --> 02:03:51,750 weird. 2065 02:03:53,041 --> 02:03:55,625 I don't know if I want to laugh or cry. 2066 02:03:59,125 --> 02:04:01,000 I think of the parents, 2067 02:04:01,666 --> 02:04:02,750 to Patrick. 2068 02:04:04,208 --> 02:04:05,625 Pierre, Edith... 2069 02:04:10,625 --> 02:04:12,416 Do you remember Dad's phrase? 2070 02:04:13,708 --> 02:04:15,875 Nahé ourh éïnk ourh eguank. 2071 02:04:16,583 --> 02:04:19,625 “Look where we came from and look where we are." 2072 02:04:19,791 --> 02:04:21,250 Well look where you are. 2073 02:04:21,416 --> 02:04:23,833 You achieved all your goals, that's it. 2074 02:04:24,791 --> 02:04:26,875 Maybe that's the problem. 2075 02:04:29,791 --> 02:04:32,083 I worked so hard to get there. 2076 02:04:34,041 --> 02:04:37,083 And now, I don't know what I'm going to do. 2077 02:04:38,041 --> 02:04:39,958 I'm not used to that, myself. 2078 02:04:45,375 --> 02:04:46,875 But Charles is... 2079 02:04:47,666 --> 02:04:50,666 This is where I tell you that you need to slow down, 2080 02:04:50,833 --> 02:04:52,958 that you take time for yourself, but... 2081 02:04:53,666 --> 02:04:55,666 we know what you're going to answer me. 2082 02:04:55,833 --> 02:04:57,333 I would like that. 2083 02:04:59,166 --> 02:05:00,916 But if I stop, I die. 2084 02:05:07,083 --> 02:05:08,166 Charles? 2085 02:05:16,500 --> 02:05:17,916 Charles, are you there? 2086 02:05:21,500 --> 02:05:23,625 Okay, it's going to be okay. 2087 02:05:23,958 --> 02:05:25,083 I'll call you back. 2088 02:05:25,250 --> 02:05:26,791 All right. 2089 02:05:28,375 --> 02:05:29,583 It'll be OK. 2090 02:06:22,125 --> 02:06:25,208 Just yesterday I was twenty years old 2091 02:06:25,375 --> 02:06:27,333 I caressed time 2092 02:06:27,500 --> 02:06:29,333 And enjoy life 2093 02:06:29,500 --> 02:06:30,791 How we play love 2094 02:06:30,958 --> 02:06:32,625 And I lived at night 2095 02:06:32,791 --> 02:06:34,375 Without counting my days 2096 02:06:34,541 --> 02:06:36,416 Who fled in time 2097 02:06:36,750 --> 02:06:40,291 I made so many plans who remained in the air 2098 02:06:40,458 --> 02:06:44,166 I had so many hopes who flew away 2099 02:06:44,333 --> 02:06:47,625 That I remain lost not knowing where to go 2100 02:06:47,791 --> 02:06:52,000 Eyes searching the sky, but the heart buried 2101 02:06:52,500 --> 02:06:55,125 Just yesterday I was twenty years old 2102 02:06:55,291 --> 02:06:57,250 I was wasting time 2103 02:06:57,416 --> 02:06:58,625 Thinking of stopping it 2104 02:06:59,250 --> 02:07:02,625 And to hold him back, even get ahead of him 2105 02:07:03,041 --> 02:07:04,375 I just ran 2106 02:07:04,833 --> 02:07:06,833 And ran out of breath 2107 02:07:07,000 --> 02:07:10,041 Ignoring the past, conjugating to the future 2108 02:07:10,750 --> 02:07:14,500 I preceded any conversation with myself 2109 02:07:14,666 --> 02:07:17,958 And gave my opinion that I wanted the right one 2110 02:07:18,125 --> 02:07:21,125 To criticize the world casually 2111 02:07:21,916 --> 02:07:23,375 Yesterday again... 2112 02:07:23,666 --> 02:07:26,958 A legend of French song just went out. 2113 02:07:27,125 --> 02:07:30,333 Charles Aznavour is dead at the age of 94. 2114 02:07:31,041 --> 02:07:34,000 Until the end, he wrote and sang on stage 2115 02:07:34,166 --> 02:07:36,625 in France and throughout the world. 2116 02:07:36,791 --> 02:07:39,666 With 180 million records sold, he leaves 2117 02:07:39,833 --> 02:07:41,458 behind him a considerable work. 2118 02:07:41,833 --> 02:07:43,166 Him, the son of refugees 2119 02:07:43,541 --> 02:07:46,083 became the symbol of French culture 2120 02:07:46,250 --> 02:07:48,666 and even the image of France in the world. 2121 02:07:48,833 --> 02:07:52,625 And I wasted my life and my young years 2122 02:07:52,791 --> 02:07:54,041 The best and the worst 2123 02:07:54,500 --> 02:07:55,958 By throwing away the best 2124 02:07:56,625 --> 02:07:58,083 I froze my smiles 2125 02:07:58,250 --> 02:07:59,833 And I froze my tears 2126 02:08:00,416 --> 02:08:01,791 Where are they now 2127 02:08:03,208 --> 02:08:05,625 Now 2128 02:08:05,791 --> 02:08:09,500 My twenty years? 2129 02:08:30,458 --> 02:08:33,708 I worked for years 2130 02:08:33,875 --> 02:08:35,541 Without respite 2131 02:08:35,708 --> 02:08:37,208 Day and night 2132 02:08:37,791 --> 02:08:38,875 To succeed 2133 02:08:39,041 --> 02:08:40,416 Yes, to climb 2134 02:08:40,583 --> 02:08:42,375 Yes, the summit 2135 02:08:44,916 --> 02:08:46,416 By forgetting 2136 02:08:46,583 --> 02:08:48,208 Often in 2137 02:08:48,375 --> 02:08:51,541 My race against time 2138 02:08:52,083 --> 02:08:53,708 My friends 2139 02:08:53,875 --> 02:08:55,458 My loves 2140 02:08:55,625 --> 02:08:57,250 My troubles 2141 02:08:59,208 --> 02:09:02,666 I ran headlong 2142 02:09:02,833 --> 02:09:04,458 Thirsty 2143 02:09:04,625 --> 02:09:06,000 Obstinate 2144 02:09:06,458 --> 02:09:08,000 Towards the horizon 2145 02:09:08,166 --> 02:09:09,791 The illusion 2146 02:09:09,958 --> 02:09:11,375 Towards the abstract 2147 02:09:13,541 --> 02:09:14,958 By sacrificing 2148 02:09:15,125 --> 02:09:16,458 It's heartbreaking 2149 02:09:17,166 --> 02:09:19,750 I blame myself now 2150 02:09:20,791 --> 02:09:22,333 My friends 2151 02:09:22,500 --> 02:09:23,833 My loves 2152 02:09:24,333 --> 02:09:25,916 My troubles 2153 02:09:35,958 --> 02:09:38,000 They came They are all there 2154 02:09:38,166 --> 02:09:40,208 As soon as they heard this cry 2155 02:09:40,375 --> 02:09:46,208 She's going to die, my mother 2156 02:09:49,708 --> 02:09:51,500 They came They are all there 2157 02:09:51,666 --> 02:09:53,458 Even those from southern Italy 2158 02:09:53,958 --> 02:09:56,041 There's even Giorgio, the cursed son 2159 02:09:56,208 --> 02:09:59,625 With presents in my arms 2160 02:10:00,958 --> 02:10:03,041 All the children play in silence 2161 02:10:03,208 --> 02:10:05,166 Around the bed or on the floor 2162 02:10:05,333 --> 02:10:07,458 But their games don't matter 2163 02:10:07,625 --> 02:10:09,583 It's a bit like their last gifts 2164 02:10:09,750 --> 02:10:13,000 To the mother 2165 02:10:17,666 --> 02:10:22,041 There is so much love, so many memories 2166 02:10:22,500 --> 02:10:26,708 Around you, the mamma 2167 02:10:26,875 --> 02:10:31,291 There are so many tears and smiles 2168 02:10:31,458 --> 02:10:35,625 Through you, the mother 2169 02:10:36,666 --> 02:10:38,791 Than ever 2170 02:10:38,958 --> 02:10:40,875 Never 2171 02:10:41,041 --> 02:10:44,083 Never 2172 02:10:44,458 --> 02:10:47,958 You will never leave us 2173 02:11:06,333 --> 02:11:09,666 I never would have believed 2174 02:11:09,833 --> 02:11:12,166 That we would meet 2175 02:11:12,791 --> 02:11:14,666 Chance is curious 2176 02:11:15,041 --> 02:11:18,125 He provokes things 2177 02:11:18,875 --> 02:11:21,250 And destiny is in a hurry 2178 02:11:21,416 --> 02:11:26,166 Take a pose for a moment 2179 02:11:26,333 --> 02:11:33,208 No, I haven't forgotten anything 2180 02:11:37,375 --> 02:11:39,000 I smile despite myself 2181 02:11:40,375 --> 02:11:42,166 Just looking at you 2182 02:11:43,416 --> 02:11:45,458 If the months, the years 2183 02:11:45,625 --> 02:11:48,541 Often mark beings 2184 02:11:49,458 --> 02:11:51,583 You haven't changed 2185 02:11:52,458 --> 02:11:56,541 The hairstyle maybe 2186 02:11:56,708 --> 02:12:03,750 No, I haven't forgotten anything 2187 02:12:04,125 --> 02:12:06,875 Nothing forgotten 2188 02:12:21,625 --> 02:12:25,750 Into the familiar noise from the fashionable box 2189 02:12:27,958 --> 02:12:32,666 With psychedelic glows, with curious decorum 2190 02:12:34,333 --> 02:12:38,791 We discover sitting on uncomfortable chairs 2191 02:12:40,625 --> 02:12:46,500 The latest pop records pushed to the maximum 2192 02:12:46,916 --> 02:12:51,708 This is where we met among those of our age 2193 02:12:53,333 --> 02:12:59,833 You, dressed as an Indian and me, in a Mao collar 2194 02:13:00,083 --> 02:13:04,666 We have been coming back since then as if on a pilgrimage 2195 02:13:06,291 --> 02:13:12,000 Dancing in the smoke to cut with a knife 2196 02:13:12,833 --> 02:13:16,958 Come, let's find out, you and me 2197 02:13:17,666 --> 02:13:20,333 Old-fashioned pleasures 2198 02:13:23,916 --> 02:13:26,958 Your heart against my heart 2199 02:13:27,125 --> 02:13:30,291 Despite the crazy rhythms 2200 02:13:30,625 --> 02:13:36,333 I want to feel my body by your married body 2201 02:13:38,083 --> 02:13:43,166 Let's dance cheek to cheek 2202 02:13:45,083 --> 02:13:50,083 Let's dance cheek to cheek 2203 02:13:50,250 --> 02:13:52,333 Subtitles: Émilie Nicolas 2204 02:13:52,500 --> 02:13:54,583 Subtitling: TransPerfect Media France